To the National Health Service and all those careworkers, and keyworker, oh how you bring us sunshine!
How do! / 你好 (nĭ hăo) / Namaste / Welcome!
Ernie Wise: Its not easy for us authors to find new words.
Eric Morecambe: Have you got a thesaurus?
Ernie Wise: No,I don’t like motorbikes.
So far, it has all been writing, links and a few photos. Today the mould is broken. Welcome to embedded videos. This isn’t groundbreaking stuff, no, this is the first justified joyful collection of clips (to date) – available in all the countries around the world that allow YouTube (or via VPN in China). Other media players are available but to be frank, I can’t understand the language.
Thinking back to comedy, and there have been times when I have lay prone or been down in the dumps, feeling low or blue, and the voices of comedy have come calling. I love stand-up comedy and to be honest, I will watch anyone, at least once, sometimes twice. If I enjoy them, I will carry on enjoying them and look out for them at every possible turn. Then there is slapstick and comedy writing. There are so many layers of comedy from silent movies to dark comedy showings to modern day images blended to satire or adapted to show the absurd.
Comedy is a kind of medicine in a time of worry and suffering. The movie Patch Adams starring the wonderful comedian-actor Robin Williams was one fine example of humour as a remedy. The film is based on the real life doctor-clown-social activist and founder of The Gesundheit! Institute, Hunter Doherty “Patch” Adams MD. This is a man devoted to finding an alternative healthcare model not founded by insurance or by the haves over the have nots. In many ways he is a doer and a revolutionist. Besides which his kids are called Atomic Zagnut Adams and Lars Zig Edquist Adams. One interesting thing his inspirational portrayal by Robin Williams, led to Bollywood filming Munna Bhai M.B.B.S. which may have in turn led to Pakistan and India director Rajkumar Hirani having ideas for his movie, or not. Munna Bhai M.B.B.S. was remade in the Tamil, Kannada, Telugu and Sinhala languages. It has won many awards, as have its remakes. The ₹1.039 billion viewing audience plus the $202.3 million audience of Patch Adams may have reached far and wide financially, but it does make you wonder if the sense and spirit of both have reached and influenced many in the medical profession. I would imagine the essence of humour and a warm heart has always been with those in the natural work setting of caring for others. It is their job. The presence of these heart-warming and movies cannot hurt none.
The best writers are the ones who really show their passion in their works. Some even cast themselves from years of heard graft and find a vehicle for their talents. Jeremy Dyson, Steve Pemberton, Mark Gatiss and Reece Shearsmith aren’t always the fashionable names of modern stardom, but as The League of Gentleman they have shocked and terrorised using dark comedy to bring a belly laugh or a grizzly ‘Can-I-laugh-at-that?’ moment. Their productions such as Psychoville and Inside No. 9 have carried the enhanced tones of their earlier work inviting newer audiences by bringing an ensemble of well-known stars to their twisted scripts. The quadruple basis of the League of Gentleman cast carry fairly diverse and long appearances. They’re grafters who have done bit parts and played key roles. Reece Shearsmith even appeared in London’s Burning as was his rite along a passage to present day; whilst his colleague Steve Pemberton, of Blackburn, has featured in Manchester’s finest comedy-drama series Shameless – as well as the brutal series Blackpool, London-based Whitechapel and Benidorm. A seemingly wide set of locations. Jeremy Dyson has had a crack at Roald Dahl’s Twisted Tales amongst many hit West End and big-screen projects.
Having looked up Mark Gatiss and the other League of Gentleman cast members, following an online episode of Stay At Home with Stewart Lee and Josie Long, I’ve found out that my favourite historical piece Operation Mincemeat, by Ben Macintyre is being turned into a movie! The director John Madden has previously worked on Mrs Brown, Captain Corelli’s Mandolin, The Best Exotic Marigold Hotel and Shakespeare in Love. Scottish actress Kelly Macdonald and Matthew Macfadyen will also star in the Mac-See-Saw Films production. A spot of sunshine for the future.
You’ll Never Walk Alone…
Eddie Braben came from Dingle in Liverpool. It’s an area that gave rise to Ringo Starr (The Beatles), Robbie Fowler (Manchester City and Liverpool striker), Arthur Askey (comedian), Gerry Marsden (singer: Ferry Cross the Mersey; He Ain’t Heavy, He’s My Brother; and contributor of The Crowd), and singer Billy Fury.
Eddie Braben had written countless wonderful lines for the duo of Morecambe and Wise. Through fall-guy Ernie Wise, Eric Morecambe would mock the “plays what he had wrote – sometimes 26 in one day”. Other great celebrities would enter the stage and screen, appearing on Christmas specials and transmitting to households all over the nation. Many argued these were the most-viewed shows outside of the Queen’s Christmas Day speeches. More than 20 million people watched on. Future James Bond star Judi Dench and all round great dame proved the draw to star on The Morecambe and Wise Show was like no other. Household names, movie stars, big names of the theatre, news presenters and more all lined up to join the cast.
“What he did for Eric and Ernie was incredible. He was the third man of the comedy.” – Sir Bruce Forsyth on Eddie Braben
Writer Eddie Braben replaced Dick Hills and Sid Green. Braben wasn’t too confident about filling such big boots and writing for what were then a very popular and successful comedy act. His specimen material started with one solo appearance with Eric Morecambe opening his jacket and telling his heart, “Keep going you fool!” And from then on, Braben added gold to the Morecambe & Wise cabinet of materials. He’d previously written for Charlie Chester and Ken Dodd, from the comforts of Liverpool, but now he had London T.V.’s finest to pen for. Hiding away from the stage itself, Braben wouldn’t elope to London. Instead he’d be home again via the train soon after filming. His methods worked and he was awarded gongs from the Writers’ Guild of Great Britain for three consecutive years over several years. In 1972 he even picked up a BAFTA. He worked tirelessly and had a nervous breakdown, recovering to pen for Little and Large, Jimmy Cricket, Les Dawson and Ronnie Corbett, amongst others. His autobiography, The Book What I Wrote, is a modest and heart-warming account of comedy and television. For a man who hated the limelight he certainly influenced the stage and screen. His 24 writing credits to just 3 tiny appearances speak volumes.
“All men are fools, and what makes them so is having beauty like what I have got.” – Glenda Jackson, in the Antony & Cleopatra sketch, Morecambe & Wise Chrismas Special
Asked, in a Roman sketch, if he had “the scrolls”, Eric Morecambe replied: “No, I always walk this way.” Eddie Braben’s writing was so very good, and the production team that were around Morecambe and Wise appeared to be ad-libbing like no tomorrow. Prince Philip once commented, “I thought they just made it up.” That was the magic of the well-written sketches, the production design and the chemistry between the two star leads. In surreal ways, Braben had Eric Morecambe and Ernie Wise haring a bed together. You can’t see the join. There was little vulgarity to it. It was far from innuendo. Just like the perceived rudeness of Eric Morecambe towards guest-stars who would appear and Eric would get their names wrong.
“Sorry I’m late, but I was digging the Suez Canal when some fool filled it full of water” – Eric Morecambe as Disraeli.
Eddie Braben’s notes and poems can be found in various books. One sweet piece is as follows:
Two cows chewing grass, on a warm sunny hillock. I thought, ‘This time tomorrow, that grass will be millock.’
Such simplicity and beauty within a few short sentences. No over-padding. No need for profanity. No need for stressing and over-writing. Such wonderful word imagery.
Lay on a bed together: ERIC MORECAMBE (as the Duke of Wellington): Would you like something to warm you up?
VANESSA REDGRAVE (as Empress Josephine): (Seductively) I would very much.
ERIC: Good, I think I’ve got some extra-strong mints in my greatcoat.
There’s only one way to end this post.