How do! / 你好 (nĭ hăo) / Namaste / Welcome!
“It is your civic duty, so you avoid unknowingly spreading the virus and you help to break the chain of transmission.” – Matt Hancock, Health Secretary, BBC News.
Boris Johnson has urged you to move on. In a rare boiling of the blood, Boris told his peers to “move on” five times. In fact, it almost mirrored Kasabian’s Fire track, ‘move on, you got to move on. You got to get to the hip, get your shake on (I’m on fire)’. How dare his peers and opposition party politicians stoke the fire of a political ding-dong-the-witch-is-dead. It seems to be a running problem, that when the elitist leaders and their aides do something, others should do something else. You’re in this together, right? Not us. Not everyone. Not everybody. Them and us?
“Stop indulging in irrelevant debates about sharing the pie between manufacturing and services, the north and the south, women and men” – Dominic Raab et al, Britannia Unchained
Well, what better way to idle away time than watch a good cop show? Between writing, reading books and teaching, I did however find an electronic copy of the book Britannia Unchained:Global Lessons for Growth and Prosperity and sped through the material with consummate ease. Authored by Priti Patel, Elizabeth Truss, Dominic Raab, Kwasi Kwarteng, and Chris Skidmore in 2012, it is a treatise (a long essay) on politics and business. It argues that Great Britain should take more risk and engage a radical approach in economics and business. Its writers are all elitist Thatcherite-leaning Free Enterprise Group members and it shows across the 152 pages of content. They’re all part of Boris Johnson’s inner sanctum and the cabinet in some shape or form now. It advises that Great Britain should slacken employment laws and abandon fairness for the worker, in favour of global profits.
The book Britannia Unchainedargues that 85% of Japanese kids learn A-level standard mathematics to just 15% in the U.K. It fails to indicate how few students study these subjects and go on to work in a relevant area. It snubs any notion that arts and creativity are good for community and transferable skills. It doesn’t mention the outcome of Japan’s 15% of mathematical unqualified. It takes joy at the U.S.A.’s risk-taking but barely mentions the outcomes of flops and failures and the social or economic gambles gone wrong.
Arguably, as noted by General Secretary of the Trades Union Congress Brendan Barber, there aren’t enough jobs knocking around and slackness may be a result of not being motivated to go pick lettuce in a slurry field on a wealthy conglomerate’s estate in Surrey. Not everyone needs to have the motivations or grafting spirits of Asia, but it does seem those who haven’t are being pushed to do so by those who have. Easily done when all is on a plate. What I love about British culture most, is when someone from a working class background steps up and becomes the hero of their people – the boy or girl who did good. The Billy Connolly or Danny Boyle types who defy, are few and far between. The rest of us scrap out for what’s left. The book proved who to watch and highlighted a class divide. It rang alarm bells at the time and now all the writers are in top government positions. The New Statesmen wrote of them, “They have joined the political version of celebrity culture – the same culture that they argue, to some extent compellingly, makes Britons believe they can get on without doing any hard work.”
“I didn’t float up the Lagan in a bubble” – character Ted Hastings, Line of Duty
That’s Line of Duty done with. I really enjoyed series 1-3, but the 4th season was much of the same. The fifth was strong and rightfully so has claimed good plaudits but the flow was a little slower. I understand that original director and writer Jed Mercurio announced two more series will follow. It is gripping and engaging as thrillers go, but surely co much corruption in the fictious Central Constabulary and East Midlands Constabulary must have been found by now. Oh, wait, maybe it is like real lifeTM. The latter four series were filmed in Northern Ireland by the BBC. The range of accents throughout all five series creates an almost perfect fictional city. It is so generic that you forget where you are. All the series feature big gun screen stars such as Keeley Hawes (Spooks, Ashes to Ashes), Thandie Newton OBE (Crash, Westworld), Kirkby-born Stephen Graham (Snatch, Boardwalk Empire’s Al Capone), and Nottingham’s Lennie James (The Walking Dead, ShakespeaRe-Told). Stephen Graham joined main star Vicky McClure in the movie This Is England and its spinoff TV series. It took me a awhile to realise that Nottingham-born McClure was Frances Lorraine “Lol” Jenkins from This is England. They’ve also starred in BBC’s The Secret Agent together too. There’s a tram named after her in Nottingham – one in which she was asked to leave for not paying her fare. Detective Inspector Kate Fleming and former footballer (Greenock Morton) Martin Compston’s Anti-Corruption Unit Detective Sergeant Steve Arnott with Superintendent Ted Hastings played by Adrian Dunbar make for a thrilling series, way better than the movie of the same name.
“Some little girls grow up wanting ponies. I always wanted to be a widow.” – character Alice Morgan, Luther.
Jed Mercurio was responsible for a TV series with Noddy Holder from 1997 to 2001 called The Grimleys. That was comedy gold-dust, set in and around Dudley, with some wonderful cameos throughout. He also created and wrote the thriller Bodyguard with Richard Madden and Keeley Hawes. His creation Line of Duty has fast become a favourite. It doesn’t hold back and a few surprise turns have kept countless viewers on their seat-edges. Each finale always seems to leave the viewer wanting more That’s what you want, especially from a cop show. I’d rank it #6 in my top thirteen cop shows. My choice for #13 is Inspector Morse. I’ve never disliked Inspector Morse and I can’t say it was amazing but it was always gritty (despite my lack of bias towards John Thaw being a Gorton-born Manchester City fan) and I think Jimmy McGovern’s Cracker (Robbie Coltrane) is much more than a cop show and deserves to be remembered for being very complex and about psychological motivations – plus it is Mancunian, so that’s why it is my #10 choice. David Jason’s A Touch of Frost just makes the #12 slot.
“I drink too much, I smoke too much, I gamble too much. I am too much.” – character Dr Edward ‘Fitz’ Fitzgerald, Cracker.
#11 Rebus (penned by Ian Rankin), #9 Life on Mars (nostalgic 70s drama), #8 The Shield (with rogue bald bad cop Vic Mackey), #7 The Wire (set in Baltimore), #5 Denmark’s The Killing, #4 Helen Mirren in Prime Suspect, #3 The Bridge (Nordic noir), and #2 Neil Cross’s Luther (Idris Elba) are all great cop shows. #1 But for me the king of all has to be Homicide: Life on the Street (Baltimore’s finest foray into the criminal world on a TV set). I would rate them all highly and recommend them even more so. If you have some COVID-19 lockdown time spare or wish to stay clear until a vaccination is found, then bang on a blues and twos box set.
Maybe by the time I have reviewed my top 13 cop TV shows, I will stumble on the reason Boris Johnson’s aide committed murder in Durham…
Title image: https://b3ta.com/users/profile.php?id=80591