Notes [From a Small Island]

Good morning/afternoon/evening/night / How do!

“I finished the last half of Lord of the Flies in a single afternoon, my eyes wide, my heart pounding, not thinking, just inhaling….My rule of thumb as a writer and reader–largely formed by Lord of the Flies–is feel it first, think about it later.” – Stephen King, author (It, The Mist)

  • William Golding’s Lord of The Flies is a text visited by GCSE students both at home in the UK and their iGCSE counterparts around the globe. The striking cover of the Deluxe Edition released in 2016 by Penguin Classics really stands out. In fact, looking at the numerous editions of this novel, and there are a good span of releases, all the covers tell their own story and draw you as a reader to the opening of the covers. Not that you should treat a book by its cover. I guess the students of grades 6-8 selected this cover because of the visual. It pictures a character looking like a watermelon had exploded during his evening snack time. The introduction by Stephen King and foreword by Lois Lowry were too modestly placed to catch the eye.

I must confess that during my secondary school days of Reddish Vale High School, that our English classes did not visit the works of William Golding. However, I was vaguely aware from friends at other schools of the works. In fact, I made a point of reading it within the confines of the old Levenshulme Library. Because, it was a time when The Lost Boys movie was talk of the town, I’d often muddle the two tales but oddly I had never watched the vampire teenage horror movie.

Luna displayed detailed writing and explained her views accordingly. The introduction was relayed in a clear presentation. This allowed future teaching to be differentiated to her specific needs. Understanding the significance of phrases and descriptions, Luna has explained her answers clearly. Students were given the chance to collaborate and exchange views. During this opportunity Luna listened both carefully and gave her views in response using text-appropriate examples. Luna’s interpretation of the island from the Lord of The Flies was detailed, annotated accordingly and she could orally relay the symbolic locations within. When creating timelines of the story’s events Luna used a clear format, added comments and kept the work clear. Luna worked tirelessly to complete the revision activities in a way befitting the final unit exam. Luna displayed a sound understanding of the questions presented to her. She gave her efforts to the challenge and now needs to check the marks available and how to details the answers accordingly. If six marks are made available then three sentences with appropriate details and conjunctions is likely the minimum expected.

May used strong vocabulary and detailed writing with reference to the text Lord of The Flies. Her understanding was clear and set out in an organised fashion. May was able to orally discuss her following of the work with her classroom peers. May discussed many questions and possible answers in a small group before expanding her confident findings to the entire class. She went further in asking questions of her answers that led her to a deeper reflection of the novel, Lord of The Flies. From May’s interpretation of the island from the Lord of The Flies it was clear that she takes pride in her artwork. The neat and carefully set-out work allowed little room for misunderstanding. May’s use of timelines was varied and detailed, often using quotes and key points. May completed the revision tasks to a high standard ahead of the unit examination. For May to give suitable chances to gaining fuller marks, she must look at the point weighting and try to suitably apply points to each mark available. Overall her written answers are well structured and feature good levels of reference to the key text and her experience.

Nathan covered the key points of the early chapters and was unafraid to voice his opinion. He often placed questions about the predicament the characters within the story faced. He formed a good hypothesis about where he believed the plot would lead. Nathan could at times show his distaste towards the novel but he would also justify this well. The vocabulary-heavy text of a book written in a different land and time gave him opportunity to cast his answers, heavily coated in his thoughts. Nathan created a clear outline with finite detail throughout his map of William Golding’s imagined island. He explained the symbolism throughout and discussed his reasoning with peers. Nathan used timelines to good effect and displayed the relevant information accordingly. Nathan displayed an impassioned view within his review of the unit. Nathan must pay attention to the marks available and decide how to weight his answers accordingly. Extra paper had been made available. Not double checking the meaning and rereading a question cost Nathan 6 marks, which was highly unlike his previous work. He completed a clear and well organised exam paper with reasoning, opinion and clarity throughout.

Gabriel selected appropriate vocabulary and details for his initial analysis of Lord of The Flies. He confidently organised and produced text to support his views. Talking to write has helped him to set out his work well. Gabriel’s focus on the text fluctuated from a passionate advocate of the writing to that of someone who dislikes the descriptive content. His answers attributed the base points and did not shy from opinion. Firstly Gabriel made a draft of the island taken from William Golding’s novel Lord of The Flies. From this he neatened up and slotted his work together into a pleasing final output, full or relevant detail. Gabriel favoured an expanded format of timeline, rich in detail with appropriate quotations from the novel’s dialogue. Gabriel’s revision work was clearly drawn together and his use of comic illustrations was welcomed by the teacher. Gabriel must give all his attention to the marks available. This will allow him to decide how to weight his answers appropriately. Extra paper had been made available but was not requested.

Henry used a calm and steady tone to relay his outline of the early chapters within William Golding’s Lord of The Flies. He set his work out clearly and asked appropriate questions to his peers. Henry reflected the answers to match the questions using simplistic formats and clarity. He would benefit in the future from adding a little more passion and widening his vocabulary usage. Henry explained the symbolism of the island and went further by logging the symbolism within his notebook. He created a key to his work and could orally explain his positioning of the island’s features, referring to the novel throughout. Henry created numerous timelines at several stages of the novel and worked well to explain this to his peers. He led by example, sharing an exemplar of what was expected. Henry’s linear and concise writing in preparation for the final unit assessment was both careful and considerate to the need. To allow Henry to give attention to the marks available he must decide how to weight his answers appropriately. Extra paper had been made available but was not requested. Large gaps will cost marks.

Benny used his inquiring nature, his confidence and his collaboration skills in ways to support his early understanding of the novel Lord of The Flies. He has utilised his enthusiasm and curiosity to good effect, often displayed within his writing style. Benny’s timing at writing answers needs a little more urgency, however his spoken preparation work has been second-to-none. He articulates his thoughts with clarity and even questions them appropriately to refine his final work. Now, he needs to take more care in presenting those words on paper. Benny created an island with aid from researching the internet for other interpretations of the island’s shapes and features. He extracted and explained his choices, and noted several common representations led to a pattern. A little neatness goes a long way and Benny’s strive to turn cluttered work to tidy output was noted as a sign of his progression throughout this unit. Benny’s writing preparation for the final unit assessment was a little light in volume but his work to date has been adequate to show his overall understanding. Benny should give all his attention to the marks available. This will allow him to decide how to weight his answers accordingly. Extra paper had been made available but was not requested. Unlike other formative assessments Benny did not detail as in depth as before. He can do so much more. Next time he will deliver with more gusto.

Chael is laid back in character but hit his understanding. With a little more effort and careful checking he could develop clearer written interpretations of The Lord of The Flies. He is often highly enthusiastic and energetic, but requires a little more focus. Chael could deliver more. He must take more care in writing and checking his output. At times he can orally present a fantastic set of findings, but the material delivery of such words is mostly absent. More differentiated writing practice will allow him to develop. Chael researched island shapes, land features and attached them to his understanding of William Golding’s island. He noted the features mentioned in passing, as well as the central landmarks of the story. After some encouragement Chael set out a clear and detailed timeline of events. To the teacher it seems that Chael can fire out words like a machine gun, however, it is also apparent that he needs encouragement in checking, checking again and reviewing. This will reduce Chael’s potential final reflection content. Chael must pay attention to the marks available and decide how to weight his answers accordingly. Extra paper had been made available but was not used. The strength of his answers is smooth and clear, but he would benefit from using quotes or reference points.

Kingston has a very relaxed attitude to classwork and must understand that production of work is completely different to oral relaying of a text such as The Lord of The Flies. Whilst he said this was his second visiting to the text, he must understand that reading for pleasure and reading for deeper analysis and understanding are far removed from one another. Kingston sometimes is shy and unassuming. His opportunity to talk and prepare is frequent amongst the classes, yet silence stunts his chance. He must engage fully and find those word in his soul that are crying to get out. He is more than capable. Pick up a pen! Kingston needed pushing to complete this task. Finally at his own pace he completed a basic outline. He could explain the features and common landmarks of the island but did not write these down in his notebook. With encouragement he is capable of a good output. Kingston needed pushing to create and explain his chosen chapter of events. He produced the work after the deadline and needed support from classmates and the teacher to finalise his work. Kingston did some revision work but he is certainly capable of much more. Between not completing homework, some choice comments within his answers and a distinct feeling of idleness, Kingston has given less than all his efforts to this summative test. The teacher shall be setting targets and goals with Kingston to allow him to reach his full potential. 

The Lord of The Flies has since penetrated culture in innumerable ways. It’s even been reflected back at us through real-life situations such as Tongan boys trapped on a remote island. Historian Rutger Bregman documented this remarkable story in his book Humankind. These six boys

“Lord of the Flies is one of my favorite books. I still read it every couple of years.” – Suzanne Collins, author (The Hunger Games)

Thank you kindly for your time.

Goodbye! Ta’ra!

Poetry: Quicky.

Good whatever time it is there,

Why do we think that the unit or the selection of topics will be interesting?

Poetry helps us understand and appreciate much more than the usual normal mundane and daily lifestyle or things around us. It can be deep, meaningful, silly or relaxing. It’s an art form of self-expression by words. It can be presented in many formats and it doesn’t always follow conformity. A good poem can make you feel sad, angry, delighted or make huge belly-laughs in just a few sentences. They can bring civic pride. They can symbolise unity and they can mark resistance. From my early discovery of poetry through comedian Spike Milligan and Now That Days Are Colder (Bowmar Nature Series), a certain Eric Carle and his hungry insects, poetry has reached out to me and worked its way into the very fabric of my skin. I enjoy a bad rhyme or Limerick but take deep meaning from tragic poetry like Paul Celan’s Todesfuge (translated from German as Black Milk). I do of course come from the city of Manchester, famous for Dr John Cooper Clarke, JB Barrington, Dame Carol Ann Duffy, Lemn Sissay and Argh Kid. We also have Jackie Kay on loan from Scotland and deployed in Salford. This is the place.

What do students already know, and what can they do?

I guess students have experienced poetry via movies, traditional primary school texts (Chinese or English), and other exposures through popular culture, perhaps even advertising.

Are there any possible opportunities for meaningful service learning?

Linking in with poets via online interviews or guest appearances in our classroom may be possible. As a class the potential to collate a poetry book from favourite poems, created examples and so on will be possible.

How can we use students’ multilingualism as a resource for learning?

The possibility of translation, interpretation and analysis opens a few doors.

Take care and ta’ra!

Who am I to tell you what to believe?

Who am I to tell you what to believe? When I can’t picture the ideas you conceive. Every day you bend, kneel and pray, but here I am with thoughts hidden in grey.

What do your Gods speak to you? How can you have faith in if it’s true? Do animals and plants have belief? Perhaps they’re all to lucky to avoid grief.

What is wrong? What is right? When does darkness stop and become light? How do the lost become the found? Must it take circumstances so profound?

Who are they to tell you not to believe? They can’t feel the life we’ll all leave. Resurrection, dedication and minds so set. Always believing, no sweat for regret.

The hum of the crowds all drowned out. Knowing how and where, never in doubt. Eyes to the sky, devout until the last. Shadows of worry forever outcast.

Their words, choruses and hymns echo. Through halls, walls, valley calls they grow. How did the lambs find their leader? Must they nod or bow before their reader?

Who are you to tell me what to believe? My mind is free like the air I breathe. I pass with peace but no direction. Each duty comes with no selection.

What I choose I can’t quite grasp. The paths I lead cannot all clasp. The roads I drive cannot all go on. Each lane merges and bends to one.

Destiny and fate call my name. I don’t know the end of this game. How did I get to be so alone? The decisions alone were mine to prone, groan and bemoan.

[scrawled in Kumbum Monastery, Xining, Qinghai on 19th July 2021]

Ride forever.

I once knew a man on bicycle who could ride forever.

He’d ride into sun, storms and every kind of weather.

A puncture one day hit and tested him.

He found himself lacking the spring and vim.

Ride on. Ride hard to a fashion. Ride forever. Ride with relentless passion.

By the roadside, he tolled and slipped into woah.

Up he got, took a moment and dreamed of the roads he rode.

His wheels could feel the steel of his hand.

As he screamed and crammed the bike back onto the land.

Ride on. Ride hard to a fashion. Ride forever. Ride with relentless passion.

But he got himself taped up and back all together.

Out he headed off back into the ferocious weather.

His seat squeaked its old crumpled leather.

It whistled along the thick purple heather.

Ride on. Ride hard to a fashion. Ride forever. Ride with relentless passion.

The ride outside is a long old road.

But when all is truly told:

The wheels of the soul spin over and over again.

All along the plain the eyes focusing on the main campaign.

Ride on. Ride hard to a fashion. Ride forever. Ride with relentless passion.

Riding out far, hands over bar, music in his ears:

Waving away notions of his fears and tears.

Gears into set, helmet into position and off he flew into transition.

The clothes hemmed his angular position as he set forth his mission.

Ride on. Ride hard to a fashion. Ride forever. Ride with relentless passion.

Lately.

Good evening 晚上好 / 你好 Hello!

Lately it has been a manic period of hustle and bustle at Tungwah Wenzel International School (TWIS). Also, in my free time, I’ve been heavily hard at work procrastinating and doing the things I enjoy doing, whenever I feel they’re necessary. Whoever said a lack of responsibility was easy, lied. Cappuccino has been close to hand. Almost as luxury as the pair of Ravemen CR900 cycling lights. An upgrade from the N900 models. Remote controls and battery level monitors were too tempting.

The Diploma Programme team have been working solidly under great leadership. The application and candidate status has become approved. Not bad for a school without any current high school students! Now we’re gunning, pedal to the metal, for the completion of MYP’s International Bachelorette status.

The uncertainty of when travel to the U.K. hangs over my head like a Titanic-sized Goliath of scrapped metal. At times it feels like it may drop and make my noggin more squishy than nature intended. At other times, the optimism factory is producing positive vibes and sending them out in Olympic-sized swimming pool proportions. With every passing news article, input by experts, advice of Olympians going to Beijing 2022 and chilling in quarantine for twenty-one days prior to the Winter Olympics. Nothing is certain.

For two of our Language and Literature class groups, students selected Lord of The Flies and It’s Kind of a Funny Story. Exams have been prepared for the former and the latter shall be assessed by essay. In the meantime, the second units are in full preparation. As are units three to five. The school year map is freshly under way. And that’s before looking at Science classes with grades 6 to 8. Hopefully the weather will drop below thirty degrees Celsius to allow some extra evening preparation motivation.

I recently caught up with Shenzhen Blues, Katherine and Stephen in Shenzhen. A fantastic Turkish meal at Mevlana (#154 Zhenxing Road, Huaqiangbei, Futian) with a witty Pakistani waitress made for a fun afternoon. Shenzhen is a city with great food and a fantastic place to recover after hiking. And matter about City’s impressive draw at Anfield.

The relentless and ferocious Guangdong heat has tested my mind and body, and ruined my balcony garden. The grape vines perished in the inexorable sunlight and the numerous passion fruit plants became single digits. The uncompromising sunshine has dried my daisies and ruthlessly culled my apparently less than shaded herb garden. The harsh weather has seldom given way to rain, typhoons or monsoons this summer. It’s dogged single-minded unyielding approach to the environment has been cooking and drying for too long. Today hit 34 degrees Celsius and that was a cool part of this last week!

Goodbye 再见

Hot steps.

晚上好 Good evening. 你好。Hello!

The trek today was bloody tough. Tougher than it ought to have been. I’d had a big breakfast, two trekking bars, two bread rolls stuffed with optimism and sustaining properties. Three litres of liquid and two well-packed ice-lollies. Yet, something was missing. A double dose of electrolytes in tablet form on two occasions was also deployed. Yet, it was a tough slog at the final furlong. The 30 degree heat and the lack of opportunity to hide from the sun were unkind on my delicate physique.

The trek started somewhere between relentlessly hot and smouldering heat more befitting the devil’s home. A jolly group of wandering enthusiasts gathered having been dropped from a convoy of cars at the foot of a hilltop road. Here a few stretches and introductions were made. The local security guard took a few details for the Dapeng trekking pathway requirements. Here on, we wouldn’t see a shop or house for hours.

The last leg of the meandering pathways into Xi Chong (西冲) village was under the cover of darkness. After using my eyesight for as long as physically possible, I switched to 900 lumens of torchlight. The results were splendid. I spied various toads, geckos and even a praying mantis. Also, it helped in avoiding the bloody big orb spider webs.

Armed with a Snickers chocolate and nut bar, at least two extra litres of water (thanks to kind and caring people) the latter stage of up a bit, down a bit and up some more before down was possible. Cramp in both legs and dehydration had been a real stumbling block since our stop at a waterfall and stream. The sit down took my lagging stride but it didn’t ruin the views.

Throughout the walk, people were people. Stripped away of the hustle and bustle of life, and the majority of people I have met in China are warmhearted and friendly. Rehmy the ‘Chinese Lara Croft’, Sophia and two very kind students shared fruits and words. That’s exactly the reason I joined the Global Hikers walking group in Shenzhen today.

The route takes in mostly coastal pathways, scrambling over rocks hot enough to fry eggs on and scrubs of coastal forestry. Expecting bugs, I was armed with citronella. Expecting sun, I was armed with factor fifty sunblock. Expecting scree and slippery bits, I wore my trekking trainers. They fitted the job perfectly. The up, down and around the bays overlooking the distant Hong Kong under bright sunshine certainly feels like a walk. It’s delightful at stages and testing at others. I have no regrets.

谢谢你。Thank you kindly. 再见 Goodbye.