How do! / 你好 (nĭ hăo) / Namaste / Welcome!
There’s a financial crisis, then there is austerity, the Grenfell Tower disaster, then a global pandemic, and recessions, and environmental disasters, and climate change, before race battles and financial meltdowns and worries. Oh, there are worries. So many worries. A book written and translated in the 1880s is as ever-relating now as it ever was. We have the translation skills of Florence Kelley Wischnewetzky to thank. Following the 1848 revolutions, Friedrich Engels moved to Manchester for around two decades. Through capitalism he was afforded the luxury of revolutionary ideas.
Friedrich Engels dated Irish immigrant Mary Burns. After Mary’s death, his love passed to her sister Fenian (Irish Republican Brotherhood (IRB)) Lizzie. They married on her deathbed. In ways he had a Clark Kent and Superman lifestyle. Between riding in hunts in Cheshire, chasing foxes for fixes, he was slipping money out of his accounts to revolutionaries. This Bruce Wayne on one hand, Batman on the other existence was a huge contradiction. Part knight in shining armour and protector to part capitalist imperialist pig. A life beautiful and ugly in the reflection of contradictions.
“social murder” – Friedrich Engels, The Condition of the Working Class in England
Artist Phil Collins gave Friedrich Engels a home next to HOME in Tony Wilson Place. What was all that about? Our Friedrich Engels was an honorary Manc back in the day. He lived in and around the area for many years. He observed industry at its most brutal and gathered his thoughts in and around the city. The statue of German Friedrich Engels stands outside HOME, an arts and entertainment complex in the heart of the city of Manchester. Phil Colins gave Manchester a piece of its history that is well-documented in paper form, but little seen in the day to day tapestry of the city’s vast structures.
“The way in which the vast mass of the poor are treated by modern society is truly scandalous. They are herded into great cities where they breathe a fouler air than in the countryside which they have left.” – Friedrich Engels, The Condition of the Working Class in England
Whereas Engles came from Barmen, Kingdom of Prussia, the artist Phil Collins moved to Berlin, from Britain. Back in 2017, a 3.5 metre monster of a stone statue, fractured and left for ruin was moved from the eastern Ukrainian village of Mala Pereshchepina to Manchester. As part of the Manchester International Festival, it was unveiled as part of a show called Ceremony, featuring songs and dance, with a ditty by the Super Furry Animals’ frontman Gruff Rhys. In an unassuming carpark, the procession moved over to Tony Wilson Place and all around newbuilds sat and towered above old mills, relics of the Industrial Revolution, and people sipped coffee from Starbucks cups and held Tesco carrier bags. The statue passed by Engels’s birthplace in Barmen, Berlin and was subject to great interest.
“The capitalists soon had everything in their hands and nothing remained to the workers.” – Principles of Communism (1847)
Like Christ, Mohammed and many other Gods, their words have been responsible for countless deaths through misinterpretation or abuse. They have been used by the powerful to suppress or enhance those who choose to use them. Think Trump with Twitter, or Elliot Carver (actor Jonathan Pryce) in the 1997 instalment of James Bond, Tomorrow Never Dies. So, having a legacy or words and ideas, a multifaceted figure arrived to Mancunian soil. A now-outlawed sign of communism may now be outlawed in the Ukraine, but in Manchester this statue of Engels symbolises the then, the now and the future. The scar where the statue was severed in half of the waist is clear. The artist Phil Collins had negotiated the statue as a gift from one community to another. Its journey was documented – with a video commissioned.
The writer of The Condition of the Working Class in England, in sculpture form fits in with the spirit of Manchester. A radical, against the establishment and for the people. The concrete structure looms over the paving slabs below, featuring patches of lichens and a broad beard. The very city he once developed his philosophies in has changed much but many social issues remain. The horrific conditions of workhouses have gone, but in the COVID-19 days of capitalism and struggle, new challenges are present. I’m lucky, as are many Mancs, that we grew up later in better times. Our Engels though, he was here when misery and suffering were commonplace.
“Manchester is a meeting point. It represents both the birth of capitalism and the factory system and the magic of capitalism, the magic of surplus value.” – Phil Collins, The Guardian, to writer Charlotte Higgins (30/6/2017).
Engels had such an influence on what would happen in the 20th century that even today, his relevance and legacy is present. This German philosopher, historian, communist, social scientist, sociologist, journalist and businessman understood Dialectical materialism and Continental philosophy whilst remaining a keen advocate of solutions to class struggle. So, on July the 16th 2017, Engels came home and Manchester had a bash to mark the occasion.
As per the ideas of Collins, he shifted a statue from one space to another, and an idea from one place that once embraced communism to one that in all fairness skirts closer to Labour and Socialism than the media would have you think. Now in 2020, we’re seeing statues of slavers, Romans, imperial figures and all under deep scrutiny. Just as Saddam Hussein and Colonel Muammar Mohammed Abu Minyar Gaddafi fell, so to, are the busts of Sir Winston Curchill and co. It’s like a historical hunt in the manner of Operation Yew Tree, but without BBC stars. Just like some of the childhood stars of old, even the big guns of history are there to be torn at with our claws. #BlackLivesMatter is opening a whole range of debates and dialogue.
“That the Materialistic Socialists will improve H. [History] for the poor. Their best writer, Engels, made known the errors and the horrors of our Factory System.” – Lord Acton, quoted in Gertrude Himmelfarb, Lord Acton: A Study in Conscience and Politics (1952), pp. 181–82
It has been around three years since we could dress up like Engels, make banners or talk with academics in the then named Engels Exchange at Tony Wilson Place. The statue still stands. The beauty of history is that it has happened. Now we’re in an era when more and more history is being questioned. That’s good. That’s evolution in action. We have to be careful what we do with our history. Some statues remind us of different times and give us a voice for that period. They don’t always need to be celebrated and respected. They stand as a reminder of progress. All symbols must be questioned. It is our right and instinct as a species to want to be better. History shows us that Marx was more celebrated than Engels. As Engels slaved away writing Marx’s notes and supporting the Marx family, Marx had already departed this world. Engels may have come from a wealthy cotton-mill owning family but his time from 1842 to 1844 was profound.
In memory of those who have died in the workhouses and during this modern austerity.
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