Some time ago, I tried to imagine a show similar to Father Ted, filmed within Asia. I genuinely came close to emailing script writers and asking for tips. Then the idea faded. The absurdity of Buddhists in China behaving awkwardly didn’t sit right. The Communist surroundings wouldn’t remotely support humour on television. Yesterday, the thought came back. I pondered more. What if it was set in Nepal? In the valleys and foothills of Everest?

Imagine the beloved British-Irish sitcom Father Ted, reimagined in the serene, mystical mountains of Nepal. Instead of a small Irish parish, the setting is a remote Buddhist monastery. Meet Beneath Everest (working title), a comedy series that captures the hilarity and absurdity of monastic life in the Himalayas.

Nestled high in the mountains of Nepal, the Namche Khenpo Monastery is a place of tranquillity, spiritual study, and unexpectedly, a hub of comedic chaos. The monastery, with its ancient stupas, prayer wheels, and stunning views, is home to a group of eccentric monks whose daily lives are anything but serene. The valleys around the Khenpo Monastery are mostly impassible.

Head Monk Tashi is a middle-aged monk who was exiled to the remote Khenpo Monastery after a series of misunderstandings and minor scandals at his previous, more prestigious monastery in Kathmandu. See also Father Ted. Clever, somewhat cynical, and often frustrated with his lot in life, Tashi tries to maintain a semblance of order and dignity, despite the antics of his fellow monks.

Monk Karma is a young, naive monk who came to the monastery with the purest of intentions but often gets confused about Buddhist teachings and the basic principles of monastic life. He is innocent, kind-hearted, and endlessly enthusiastic, Karma’s misunderstandings and childlike logic are a constant source of humour.

Monk Dorje is an elderly, cantankerous monk who spends most of his time meditating or napping in a secluded corner of the monastery. Despite his outward appearance of spiritual dedication, Dorje has a fondness for rice wine and often spouts incoherent mantras. Grumpy, unpredictable, and occasionally wise, Dorje’s outbursts and peculiar habits keep everyone on their toes.

Ani Pema is the monastery’s cook and caretaker, a devout nun who believes in the sanctity of hospitality and the importance of offering tea to everyone, at all times. Cheerful, persistent, and slightly overbearing, Pema’s relentless insistence on serving butter tea and her exaggerated sense of duty provide endless comic moments.

Throughout the series, the show explores the daily routines of the monks, from morning meditations and teachings to dealing with local villagers seeking advice or blessings. Each episode features Tashi’s efforts to maintain spiritual discipline amidst the chaos caused by Karma’s misunderstandings and Dorje’s eccentric behaviour. Karma’s literal interpretations of Buddhist teachings lead to humorous situations, such as trying to meditate under water to find enlightenment or misunderstanding the concept of detachment and giving away the monastery’s prized possessions.

Periodic visits from the head lama or dignitaries from other monasteries add to the comedy, as Tashi scrambles to present an image of a well-run and devout monastery while keeping Karma and Dorje out of trouble.

The monks’ interactions with the local community, including helping with festivals, resolving disputes, and participating in cultural ceremonies, provide a rich backdrop for exploring Nepalese traditions and customs with a comedic twist.

The show would retain the heart and humour of Father Ted while offering a fresh, culturally rich setting. The serene yet unpredictable world of the Khenpo Monastery serves as a perfect stage for exploring themes of faith, folly, and friendship. As the monks navigate their spiritual journey amidst a whirlwind of comedic misadventures, viewers are treated to a delightful blend of laughter and life lessons, all set against the breathtaking beauty of the Himalayas.

Of course, I wanted to contact Graham Linehan and others to see if the idea had traction, but Graham is too busy being nasty and divisive. So, this idea lands here, ready to be buried. That being said, I could contact Channel 4 for their view. All production and scripting should be worked with a local crew and thoroughly ensure respect for Nepal and their people. So, it’s probably a tough job to bash out. Arthur Mathews could do it, I’m sure. Does anyone have a contact at Hattrick?