Ordinary? Decent? Criminal?


The Home MCR audience were on the edge of their seats from the outset. No curtain pulled back. A wide stage with simple metal crowd-control barriers, lighting, and a large swathe of material alongside a step was all that could be seen. Varied lighting followed throughout. However, barging onto stage with full-blown presence was political comedian, Mark Thomas. Except it wasn’t. Mark played everyone within the play, centred around Frankie.

“Full of heart and power.” – British theatre Guide


Frankie has been busted for importing narcotics. Banged up inside the character narrates a dead gripping story, through various characters and moments shadowing the 1990s. The content involves the Berlin Wall downfall, Strangeways riots, Britain under Thatcher, and the IRA. Light materials. The properly bare Mancunian Home theatre stage was filled with energy. Thomas delivers. The pace flips, sensitivity grinds, and characters fly out of the solo lead. Ex-squaddie Bron and De Niro enforce and run the wing and similarly the audience.


“A fundamental belief in the power of rebellion.”- The QR

The exploration of freedom, power, and injustice is full of wit but is heavy in its themes. The toxicity of colonialism and is effects on modern day are rife. Just like real life there’s elements of toxic masculinity and how the current prison system is a duality of both luxury and hell. Thomas does not preach. He owns it. It feels like you’re down The Railway pub on Dean Lane, supping on Crystal lager and the chat is fresh from his belly. Ed Edwards has written a mint and pacey script weaving politics with graft.


“Gripping and subtle.” – The Guardian

Kristen Perrin’s How to Solve Your Own Murder: Review + Light Up Lancaster

How to Solve Your Own Murder by Kristen Perrin is a page-turner with a unique premise that sets it apart from other mystery novels. At first, the genre and title didn’t attract me. Once I’d opened the cover, the protagonist’s posthumous investigation is intriguing, and Perrin’s plot is full of clever twists and turns. The novel’s fast-paced and suspenseful narrative keeps readers engaged from start to finish. Perrin’s innovative approach to the mystery genre makes this book a highly enjoyable and memorable read. 

At times, I thought the book to be both gripping and inventive take on the classic murder mystery. However, I felt torn between changing a chosen book to read. At first, the story centres around the protagonist who, after her own untimely death, must piece together the clues to uncover her killer. It sounds cheesy and forced. Perrin’s writing is key to why I continued. The delivery is sharp and witty, with a plot that keeps readers guessing until the very end. That being said, it doesn’t leave too many imagined options.

The novel’s unique premise and well-developed characters make it a standout in the genre. Fans of mysteries and thrillers will appreciate the clever twists and the protagonist’s relentless pursuit of the truth. as it offers a fresh and intriguing spin on the traditional mystery narrative, Kristen Perrin‘s well crafted work stands out as a must-read for mystery enthusiasts looking for something different. A thought-provoking and compelling mystery told through the themes of identity, justice, and the afterlife. May contain deeper philosophical undertones.

If a soundtrack is needed for any future televised or silver screen production, then look no further than Rebekah Okpoti‘s haunting score for the Light Up Lancaster event installation in Lancaster Priory. Amongst the visuals by artists Jonathan Hogg and Nick Rawcliffe, a tone of menacing organ music filled the vast Lancaster Priory. The acoustics seemingly fit multiple genres of entertainment, and I reckon Kristen Perrin’s work deserves a soundtrack.

The Lancaster Priory’s Director of Music, Rebekah Okpoti, took inspiration from William Herschel, playing a tune overlaying an almost eye-lije triangle screen sinisterly reflecting kaleidoscopic journeys. The other town light installations varied in shape, sizes, and subtletkaleidoscopicy, much like the words of Kristin Perrin.

The Cafe Book

The Cafe Book: Engaging All Students in Daily Literacy Assessment and Instruction, by self titled sisters Gail Boushey and Joan Moser, attracted me in library. Or because of the literacy element. Nor so that of instruction. The word cafe stood out. Its abstraction and my liking of coffee met perfectly.

Hoisting the 204 paved softback down, I noticed the bump in the cover. A CD-ROM. I haven’t used a DVD or CD for so long. The Tungwah Wenze International School staff-issued iMac doesn’t come with a drive. I don’t have one on my personal laptop. The TVs at school, my TV at home and all the smart board systems at school don’t have a place for discs. Printed in 2009, I started to wonder if the contents would have dated as fast as the technology they employed. The longevity of books however remains stalwart.

Seven sturdy chapters opened before me. I skim read the acknowledgements, unable to connect to the names on the page, but fully aware such matters as teaching and writing needs a cast of many. Last Friday, Grade 4 had a COLA (Celebration of Learning Achievement). Mr Jaime, Mr Richard and Miss Aria with support from Miss Keats and Miss Belinda set our class on a good course.

Chapter one asks why and what are assessment systems. It refers heavily back to the authors and their previous book, Daily Five. The general idea being: students read to self, read to someone else, write something, use word work and then listen to reading. In an ideal and disciplined world, it makes a big difference. The appendix of the book I had in my hand though made more sense. I could see how CAFE system could be of use to the busiest of teachers. It is simple.

Notebooks are often overlooked in these times of electronic record keeping. These can be filled by simple strategy forms. Students set their goals and post to a classroom chart. Small group work is encouraged, much like what I’m trying, time and time again. Whole group instructions and flip charts caught my attention. I’ve neglected flip chart paper for far too long.

By the time I’d reached chapter two, the key details that came across were that teachers want to do more; the importance of scaffolding; and teachers take offence to be told to follow a set template. They want to find their own ways to adjust the scaffolding needs of individuals. Can’t say that I disagree.

The evolution of a calendar from post it notes and scribbles on paper has certainly met all the best teachers. Our methods evolve and practices adapt. Reading literacy takes time for monitoring. Tabs, pages and menus of reading form. A bulletin board showing comprehension, fluency, accuracy and expanded vocabulary certainly feels like it should be at home in every classroom. Just like a daily ongoing story book. A chapter and day helps work, rest and play.

To get students to know their target, classes often need exemplars. These set a clear visual goal for their work ahead. The CAFE book covers familiar grounds of observation, encouragement, tracking and how to push interest. It develops wall display ideas and recommends strategies to develop readers. There are bucket loads of suggested reading books, group activities and then reference forms. Before the evening expired, I had read the book cover to cover. Ideas will have sank in. But, first, just one chocolate Hobnob biscuit

The Little Picture Book: Lost & Found

Eck and Timu, otherwise known as Echo and the late Tim Mileson, can be found in a book just shy of sixty glossy pages. The compact pocketbook is presented through poetry and story alike. It is conventional and yet unconventional. Interpretation is a skill you can choose to use, or just float on the muse.

Sandwiched between Tim’s personal writing, Eck explores emotions such as loss, belonging and echoes nature throughout. Cute eye-catching illustrations using a variety of sketching styles follow an imaginative route to deliver a peaceful and loving tribute in the form of a poetic manuscript.

There are lines throughout that transport the reader, catch them, hold them and bring them downward. There are uplifting words, moments of hope and flashes of light. It’s a sweet little book deserving of a wider audience. The book comes in both Chinese and English editions. My grade four students at Tungwah Wenze International School greeted that with joy. Next up they’ll interview the author…

In China? Further afield? Order directly from Eck by scanning the above on WeChat.