literacy

TRT II

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Lesson 6 focused on getting the most from text. The key points were about using That Reading Thing to supplement texts, levelled readers and those furthering their literary journey.

Reading must:
· Be of interest.
· Not be embarrassing.
· Be encouraged by the teacher or mentor.
· Be of a suitable size of text.
· Be matched to high school students, whether the lowest level or readers, intermediate readers, or those most able.
· Allow students to decode the text.
· Encourage fluency with minimum pausing and misunderstanding of punctuation, etc.

The teacher or reading mentor should:
· Challenge the student appropriately.
· Ask relevant inference questions, e.g., “Can you picture what is going on whilst you are reading?” To visualise the book is a good way to understand it.
· Reread and clarify a selection of key points.
· Encourage the student to connect to prior knowledge, context, and within the text.
· Discuss points of possible empathy.
· Prompt the students to find facts, infer the gist of the main ideas, and summarise them accordingly.
· Encourage questions and predictions from the text.
· Build on enthusiasm and embolden the habit of reading. That energy needs direction.
· Promote the use of a thesaurus and synonyms. Challenging the student to replace words with alternatives can be a useful tool for learning.

Useful strategy:
someone
wanted
but
so

[MacOn, Bewell & Vogt, 1991; Beers, 2003]

Combined with my knowledge of reading, Malcolm Pryce’s How to Write a Kick-Ass First Novel website, Jolly Phonics and the best part of my education delivery, I feel that That Reading Thing has stripped back a few basics, highlighted and reinforced some ideas and methods that will not just supplement or enhance my methods of delivery, but add a freshness that always follows any personal development.

Tricia Millar and her That Reading Thing course have made me, like many a good self-development session, want to dig deeper, do better, and expand my own knowledge. That desire is one that I hope carries through every session and class, inspiring readers and writers and perhaps planting the seed of a love for words. Some students may not know it now, but later, when the bulb flashes and the green man at the crossing lights up, a jolly new route may be taken. In closing, I have identified the necessary key parts and take homes of the That Reading Thing training, and now I must deliver them. With the access to materials, a good That Reading Thing guidebook to hand in, and seven weeks of access to the initial course, I feel confident in my ability to improve my output. Wish me luck. And, make sure you join the course, if you’re into that sort of thing…

That Reading Thing: First Notes

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That Reading Thing: Lesson One

Humorous friendly, laid-back learning environments matter. High expectations and totally safe workspaces must be guaranteed.  

An investment in education of £192 gets an individual access to That Reading Thing for around 7 weeks. My journey began on April 26th, 2023. Armed with several instructions and a few printed materials, I opened the guidebook sent by Tricia Millar. The course has been recommended by experienced colleagues, external assessment and a variety of reviews are available globally.  

Each topic is split into sections. The first section is titled, “How do you teach a teenager to read?” This featured a background, some decoding and a briefing on struggling or confident readers approach unfamiliar words. The 24-minute-long online training video advised how to make phonics age appropriate. Tricia Millar (not from Orange is the New Black, different spelling of course!) mentions the work of Professor Diane McGuinness (University of Florida) and linguistic phonics, or speech to print phonics. Teenagers, as highlighted by Tricia Millar, who cannot read or struggle to read are often humiliated, embarrassed, and subject to social stigmas. That’s where That Reading Thing began. It fills a gap.  

Struggling readers may have given up reading for meaning and may substitute similar-looking words for alternatives, e.g., vitamins in place of victims. Some may look for words within words and not actually be able to make any sense of morphology in the first place. There are skills we need. We must read left to right, as learned in English as a kid. Words can be thought of as whole objects by some learners. Knowing how to segment and blend is a learned skill. Those syllables and words don’t just appear in our heads at birth. Sounds and voices are key. Sounds can be spelt with 1-4 letters. Graphemes are like that. Those spellings of sounds are pesky. Accents are normal, too. Things that look the same but sound different happen, yet the likelihood of one sound of the other is more feasible. Break bread on a beach. The former word has a sound uncommon, to the middle word bread, which is still far less common than the sound ‘ea’ in the beach. Some sounds will also look differently. ‘Ee’ sounds can spelled as ‘ee’, ‘i’, ‘e’, ‘y’, ‘ea’, less so as ‘e…e’, ‘ey’, ‘ie’, ‘ei’, ‘eo’, and super rare in ‘ay’, ‘is’, ‘oe’ and ‘ae’. The phoenix’s foetus beats a pizza for its babies and their keys. Dialects can impact this, too. Remember, some rules have outliers like station to ration. Rules in reading are wasted effort. It is better to focus energy in other ways…

Here, I went for a coffee. Then, back to That Reading Thing, with Tricia Millar, and we glanced at the 6 key ingredients of That Reading Thing. Removing labels is key, smashing away the past. She prescribes, “You don’t have to know anything we haven’t learned together” for a good reason. The clean slate is often needed. What happened before, isn’t constructive to confidence and learning. By saying this to a student, you set high expectations and agree that “you do have to know what we have learned together”. We’re enabling the students to make progress and remove stigmas. A positive effect should see a student attend class, be punctual and feel secure in their learning environment.

Multi-sensory, “say the sounds” approaches give tools to the student whilst the teacher be clear with their sounds. Sting-free error correction needs to be applied. Turning negative responses to more encouraging and positive approaches. Show the error, say something (show and tell), and ask a question to prompt the student to respond using their own knowledge to correct or work out something is amiss. Teaching-free zones can be applied. There’s no need to explain everything. This isn’t a science-based approach to English. This is an enabling ploughing-on mission that allows pace-setting. Discussions come later. Answer questions quickly. Stay on track and use scripts, but not that of scripted teaching. Stay efficient and allow students to respond to the unfamiliar by using independent learning.

Another coffee was needed. I supplemented my coffee with a Tunnock’s caramel wafer. Other wafers are available but few are as satisfying as the 30 grams of wafer, layered in 4 parts of caramel, wrapped in milk chocolate. Much like this snack, words and literacy teaching comes with its own layers.  As a teacher, we allow the student to ascend a mountain, and talk them over crevices and ledges as and when they get stuck. At the top of the mountain is their first novel. We coach building and spelling a short and long word. Visual clues, charts of sounds and puzzle cases follow. These help to read short or long words when a student is stuck, overhanging a precarious drop. Support comes in a harness, but little more. They need their hands, cams, nuts, draws, slings, carabiners, crampons and ropes. “Say the sounds, tell me what you hear.” Words that I have heard from these videos included: sprag, hodmandod, blunge and tintinnabulation. The takeaway point of the second video was simple: allow conversation to develop long word understanding.

In closing, my notes are not for profit, duplication or to undermine the course. They’re here for my own use and to encourage others to subscribe or buy the informative course at That Reading Thing.  

Glossary:

Comprehensive: including something or other fully, or dealing with all or nearly all elements or aspects of something.

Decoding: the ability to apply our knowledge of letter-sound relationships, including knowledge of letter patterns, to then correctly pronounce written words. Words we don’t know when we read them are often words we don’t know when we hear them.  

Enable: give (someone) the authority or means to do something; make it possible for. For example, enable someone to read /ɪˈneɪ.bəl/.

Grapheme: a letter, or group of letters, that acts as the smallest unit in a written language.

Latent knowledge: knowledge that only becomes clear when a person has an incentive to display it. Things that some students don’t already know that they already know.

Syllable: a unit of pronunciation having one vowel sound, with or without surrounding consonants.

That Reading Thing: Lesson Two

“I don’t know is a fine answer.” – Tricia Millar, That Reading Thing

I knew education was powerful, but this was incredible. The course on That Reading Thing resumed after lunch. It was my personal choice. I was enjoying the experience and Wednesday’s timetable was forgiving. So, off I delved, deeper into the well-organised lesson content of assessment, building with charts and reading/spelling of short words… Here Tricia Millar reminds me that a Fairtrade bag arrived with foundation sound charts, a “try it” board, multisyllable spelling board and boards to note words that sound the same, but look different. The training manual and a Zippa Bag full of pens, a pointer pencil, some fine tipped dry wipe pens, sticky notes, and puzzle pieces.  

“You don’t know what you don’t know.” – Socrates, Greek philosopher

Through the window, I could see shadowy figures taking their positions. Tools are required. Students should each have a project folder, lesson pieces from TRT2, and their minds. They also need to be placed and engaged. To start, an assessment will help titrate where to begin. During assessment, teachers will note how fast or slow they move with a student. The words to be read are noted on a yes, no, and best answer sheet, with space for notes. There are 3 pages in level 1. The online TRT2 website has multiple levels and pages, working in a sequence from a foundation to advanced level. Tricia Millar ploughs through examples, featuring child actors and scenarios. The video reinforced that many students will not know why they have been sent to literacy invention.  

I was finally holding a new map. Explaining to new learners that you are learning about them and following your own guidance will be freeing to the student who joins your intervention. Always planning ahead and showing the steps will reassure the student of their future journey. The students should take ownership of the flow of a lesson. Their tools and charts are in their hands. Repetition and reminders about the sound, not the spelling, are useful. We must engage their ears. Circle options for those who need extra support.

“you can, you should, and if you’re brave enough to start, you will.”- Stephen King, On Writing: A Memoir of the Craft

There it was. Placed before me looking as expert as ever, video examples of lessons in action. Introduced. Explained. Unwrapped. Delivered with error correction. Minimal support. In some first lessons, throw in a few free answers if the student needs encouraging. There is no harm in support. Checking sounds likes b and d side by side could narrow out some interpretations of those letters. If a student chooses a letter like ‘l’ to sound ‘ll’ then simply ask that he, she or they find an alternative sound from the choices. Make sure they know that the two sound the same. No technical terms and no micro-teaching. Simples. Practice and action need to be forward in motion.  

Saying sounds, telling you what the student hears, and allowing students to connect to words will empower them. Unearthing habits to aid visual learners to use their ears is crucial. What’s the first, second, third, blah, blah, blah sound that you hear in the word blah, blah, blah? Now spell it. Using words to double-check sounds is a good idea. Consonant clusters and blends need separating with some students. Signalling the individual letters and encouraging every sound to be drawn out will encourage the student. The student may spray, spring and splinter their way to the word, but puzzle pieces can be used. Spellings can avoid your cake being published on cakewrecks.com.  

That Reading Thing: Lesson Three

Building with puzzle pieces, reading and spelling long words, and decodability and reading sentences would be the focus of today’s work. Decodability itself is a word that needs decoding, unpacking, and all the ability in the world to follow. The videos ground out, repeat and stress the need for confidence, skills, and habits to push on in their complex coding.

That Reading Thing: Lesson Four

Rhotacized schwa, anyone? None here. Just ‘sh’, ‘th’ and ‘ch’ accompanied by split vowels, foundations and extra support lesson briefings.  

That Reading Thing: Lesson Five

Here be dragons, or… look the same, sound different, and sound the same, look different, as well as the rest of the advanced levels. Breaking up syllables with lines, the use of word visuals on tables and other tips were noted. Adding context to new words often helps. Kakorrhaphiophobia featured: fear of failure. See: κακορραφία  (scheming, evil planning). From kakós, ’bad’ + rháptō, ‘to sew’ + –ía. Learning unusual graphemes is something to keep in mind for future learning. And, to avoid failure.  

That Reading Thing will return…

…in the That Reading Thing: Lesson Six & Conclusion/Review, which shall get a more catchy title.

Review: The Big Book…

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The Big Book of Literacy Tasks by Nancy Akhaven is targeted for grades K-8. As per the cover, it aims to give teachers 75 activities that are balanced and suitable for students to complete. This reference book is engagingly colourful, well illustrated and concise. It provides instructional plans that can be tailored or differentiated to the need of a teacher.

The book helps teachers to hand off the tasks to the student. It moves very much from, “I” to “You”. The book is well-structured to allow students to be challenged, and reduce teachers from dilly-dallying, which in an era of electronic media and distraction, helps a teacher try to engage a student deeper.

The author Nancy Akhavan, an assistant professor of Educational Leadership draws on her experience and dedication to professional development research to illuminate daily planning. The tasks can be divided into useful everyday skills, weekly practices and a few slightly more complex challenges. They are each applicable to reading circles, workshops or other literacy tasks. The book is loaded with tips, things to look out for and insights to allow English acquisition learners to progress into fully-fledged literacy learners. The author delivers far more than a lengthy book title.

This book offers Guru-like support, with practical advice and encouraging ideas that are easy to drop into the classroom. In a world often flooded by educational text resource, the bright cover with a climbing wall, Akhaven’s guide acted like a beacon for inspiration this week – and shall continue to be picked at until all is imparted and transferred appropriately.

The Big Book of Literacy Tasks by Nancy Akhaven has been published by California’s Corwin Literacy, a sample can be found online here.

ERIC CARLE June 25th 1929 – May 23rd 2021

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224 words shaped so many bedtime reading sessions. Bedrooms around the world were greeted with a heart-warming tale of growth, albeit through humour and a spot of seemingly obesity. The story has radiated like the light from the moon, from pages in over 60 languages to beaming eyes looking at the colourful intricate nature of the tale.

“That’s something I learned in art school. I studied graphic design in Germany, and my professor emphasized the responsibility that designers and illustrators have towards the people they create things for.” – Eric Carle

Eric Carle didn’t just write that one book of course. His designs, illustrations and words have appeared in numerous texts. Having dropped his first drawings in 1965, Aesop’s Fables for Modern Readers (Peter Pauper Press), the new-to-the-scene and relatively young illustrator was spotted by educator and author Bill Martin Jr. One red lobster in an advertisement led to a lifetime of colour and creation.

“We have eyes, and we’re looking at stuff all the time, all day long. And I just think that whatever our eyes touch should be beautiful, tasteful, appealing, and important.” – Eric Carle

Brown Bear, Brown Bear, What Do You See? was an award-winning book collaboration with the late author Bill Martin Jr. Thereafter cardboard editions, die-cut holes, inflatables, plastic pockets and multiple versions of artwork with words began to grow and filter from Eric Carle to the world. Countless children have lived and learned through rhyming picture books and used string in one of his many creations.

“One day I think it’s the greatest idea ever that I’m working on. The next day I think it’s the worst that I’ve ever worked on – and I swing between that a lot. Some days I’m very happy with what I’m doing, and the next day I am desperate – it’s not working out!” – Eric Carle

The story of the story-teller is ever more remarkable. This was a man, who his wife Barbara Morrison, strongly believed had held a form of post traumatic stress disorder. He’d dug trenches on the dreaded Siegfried Line of a World War II battlefield. He’d seen death at first hand, aged only around 15 years of age. But then, darkness turned to light over the years: “One Sunday morning the warm sun came up and – pop! – out of the egg came a tiny and very hungry caterpillar.” Okay, it wouldn’t have been that simple, but Eric Carle refused to bow down and give in. Years of toil brought his mind to a place where writing was permitted. An audience was earned. From Germany in World War II, he returned to his country of birth, the U.S.A. and found his way from Syracuse to the New York Times as a graphic artist.

“Let’s put it this way: if you are a novelist, I think you start out with a 20 word idea, and you work at it and you wind up with a 200,000 word novel. We, picture-book people, or at least I, start out with 200,000 words and I reduce it to 20.” – Eric Carle

Via stints back in Germany, for the U.S. Army (during the Korean War) he went on to be an art director at an advertising agency. His collage techniques, rich in hand-painted paper, featured layers and slices of vivid imagination set out as tiny pieces of artwork. Nature and wonder have set tones throughout his simple stories. These stories have been warm and inviting, and give hope to children, especially those new to schooling and education.

Papa, please get the moon for me is a tale of great importance in my opinion. It shows us that imagination is wonderful, even if it is breaking something seen as impossible. Whoever told me that Father Christmas, the Tooth Fairy and the Easter Bunny weren’t real, or anybody for that matter, that breaks the dreams of a child, deserves a good long look at themselves. Reality and imagination can sit side by side, otherwise Neil Armstrong, or Elon Musk or Celine Dion would not be around. Ability and knowledge need the company of spark and dream – and that’s where imagination grows.

“They are deceptively simple. I admit that. But for me, all my life I try to simplify things. As a child in school, things were very hard for me to understand often, and I developed a knack, I think. I developed a process to simplify things so I would understand them.” – Eric Carle

As I sit typing words and reading about Eric Carle’s history, I recall flicking through glossy covers of his books, and the joy as my face beamed when I discovered a translated copy in Hengli, Dongguan. That beautiful familiar white cover with a caterpillar and a red apple missing a mouthful, all slightly imbalanced, as if to say, and to appeal, that things aren’t always neat and tidy. One day when COVID-19 passes and the world is a little more tidy, I dream to fly to Amherst, Massachusetts to see the Eric Carle Museum of Picture Book Art. That would be as good as finding another Uroballus carlei on a trip to Hong Kong. The Caterpillar Jumping Spider’s Latin name is testament to the reach and pull of a world class picture book writer.

“My father used to take me for walks in the woods. He would peel back the bark of a tree and show me the creatures who lived there. I have very fond memories of these special times with my father and in a way I honor him with my books and my interest in animals and insects.” – Eric Carle

ERIC CARLE June 25th 1929 – May 23rd 2021

The Cafe Book

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The Cafe Book: Engaging All Students in Daily Literacy Assessment and Instruction, by self titled sisters Gail Boushey and Joan Moser, attracted me in library. Or because of the literacy element. Nor so that of instruction. The word cafe stood out. Its abstraction and my liking of coffee met perfectly.

Hoisting the 204 paved softback down, I noticed the bump in the cover. A CD-ROM. I haven’t used a DVD or CD for so long. The Tungwah Wenze International School staff-issued iMac doesn’t come with a drive. I don’t have one on my personal laptop. The TVs at school, my TV at home and all the smart board systems at school don’t have a place for discs. Printed in 2009, I started to wonder if the contents would have dated as fast as the technology they employed. The longevity of books however remains stalwart.

Seven sturdy chapters opened before me. I skim read the acknowledgements, unable to connect to the names on the page, but fully aware such matters as teaching and writing needs a cast of many. Last Friday, Grade 4 had a COLA (Celebration of Learning Achievement). Mr Jaime, Mr Richard and Miss Aria with support from Miss Keats and Miss Belinda set our class on a good course.

Chapter one asks why and what are assessment systems. It refers heavily back to the authors and their previous book, Daily Five. The general idea being: students read to self, read to someone else, write something, use word work and then listen to reading. In an ideal and disciplined world, it makes a big difference. The appendix of the book I had in my hand though made more sense. I could see how CAFE system could be of use to the busiest of teachers. It is simple.

Notebooks are often overlooked in these times of electronic record keeping. These can be filled by simple strategy forms. Students set their goals and post to a classroom chart. Small group work is encouraged, much like what I’m trying, time and time again. Whole group instructions and flip charts caught my attention. I’ve neglected flip chart paper for far too long.

By the time I’d reached chapter two, the key details that came across were that teachers want to do more; the importance of scaffolding; and teachers take offence to be told to follow a set template. They want to find their own ways to adjust the scaffolding needs of individuals. Can’t say that I disagree.

The evolution of a calendar from post it notes and scribbles on paper has certainly met all the best teachers. Our methods evolve and practices adapt. Reading literacy takes time for monitoring. Tabs, pages and menus of reading form. A bulletin board showing comprehension, fluency, accuracy and expanded vocabulary certainly feels like it should be at home in every classroom. Just like a daily ongoing story book. A chapter and day helps work, rest and play.

To get students to know their target, classes often need exemplars. These set a clear visual goal for their work ahead. The CAFE book covers familiar grounds of observation, encouragement, tracking and how to push interest. It develops wall display ideas and recommends strategies to develop readers. There are bucket loads of suggested reading books, group activities and then reference forms. Before the evening expired, I had read the book cover to cover. Ideas will have sank in. But, first, just one chocolate Hobnob biscuit…

TESMC IV: The Quest for Peas

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Superman IV: The Quest for Peace was a British-American superhero fantasy released in 1987. Lead actor Christopher Reeve penned it alongside Lawrence Konner and Mark Rosenthal. It was bobbins. Proper crap. It was perhaps the reason the Superman franchise fell silent for 19 years. That and the unfortunate paralysis of handsome Christopher Reeve. The fifth movie followed Supergirl but slotted into the storyline arc after Superman III. The first four movies are good. Superman II: The Richard Donner Cut, remains one of my favourite pieces of cinema. Superman: the Movie has been regular viewing since I was a kid.

“We were also hampered by budget constraints and cutbacks in all departments. Cannon Films had nearly thirty projects in the works at the time, and Superman IV received no special consideration. For example, Konner and Rosenthal wrote a scene in which Superman lands on 42nd Street and walks down the double yellow lines to the United Nations, where he gives a speech. If that had been a scene in Superman I, we would actually have shot it on 42nd Street Richard Donner would have choreographed hundreds of pedestrians and vehicles and cut to people gawking out of office windows at the sight of Superman walking down the street like the Pied Piper. Instead, we had to shoot at an industrial park in England in the rain with about a hundred extras, not a car in sight, and a dozen pigeons thrown in for atmosphere. Even if the story had been brilliant, I don’t think that we could ever have lived up to the audience’s expectations with this approach.” – Christopher Reeve, Still Me

The final appearance of Christopher Reeve was ill-received by fans. Movie critics washed their hands of it. Plot holes gaped as large as life and special effects looked very much out of place. That’s exactly how my fourth instalment of TESMC will be. Read on to be convinced that I am right to state this early on. I make no apology. It is, what it is.

Literacy and learning must be multi-dimensional. A topic can be talked about, in terms of content and theme. Talk serves as a bridge to writing. Talking about those written and supporting texts will only support the learning further. Our primary school years are crucial to allow us to develop literacy skills across the curriculum. A range and repertoire of skills can be born here. The key role of spoken language can furnish a student’s developmental progress. This is the path to critical literacy skills. New topics, new subjects, new teachers, new methods and the all round goodness of new experiences facilitate, under guidance, can bring meaning to it all. Talk is a tool for thinking and communicating. We’re helping students to make sense of the bigger (possibly daunting or exciting) world around them. In one blink of an eye we are seen as a facilitator, or in another flutter of the eyelids, we become the tour guide. Likewise we are an expert or a caregiver. We’re the U.N. Peacekeeper. We’re the negotiator. We’re a nurse. We’re an advisor. Then we’re a play figure. We shape our role in the classroom to the need of each or all students. Our interaction is important. We must be flexible and varied in our approach.

The four stages of the teaching learning cycle (negotiating the field; deconstruction; joint construction; independent construction) are part of our arsenal to allow us to bridge the gap between oral and written language. We work tirelessly to integrate spoken and written language. We add clarity to muddy waters, interweaving the teaching learning cycle to give students a balanced understanding of concepts. We engage. We inform. We educate. We give opportunity. We task students to predict. We task students to evaluate. We check their prior knowledge. The students own their lessons. This becomes their own learning. It should shape their methods. Metalanguage builds up over time. These shared understandings about language and text allow students to look back on Superman IV: The Quest for Peace and agree it was crap.

I can interact with classmates confidently. [I’m not afraid to try.]
I can interact with my teachers confidently. [I’m Superman or Supergirl.]
I can try to volunteer relevant information about the topic in class. [I can raise my hands.]
I can express my personal opinion regarding a topic, when asked. [I have a view.]
I can give feedback about the ongoing topic. [I can talk about something, over a few days.]
I can talk and give relevant inputs in a group discussion. [I like teamwork.]
I can try to use meaningful vocabulary / terminology for answering questions. [I can find big words that are useful.]
Listening
I can listen with sustained concentration and retell things. [You say it. I say it again.]
I can listen to and follow teacher’s instructions/explanations attentively. [I know what you said I should do.]
I can understand the different kinds of questions asked by the teacher. [I am clever.]
I can respond appropriately to my peers and adults. [I am respectful.]
I can listen and respond to audio tapes appropriately. [I understand more than music.]
Useful rubric? From the fourth module of TESMC, I believe the above rubric to be of great value to my student’s self-assessment. I shall edit it further until it is of more use.

Multiple activities can be effective in the process of learning. Students can use interests as a scope of discussion. They can use discussion as a scope of their interests. They can find common ground and talk openly. There will always be moments of excitement and times when familiar objects or foods generate a real buzz. One or two sentences by students beats no input and it is important to allow students a voice. Some may tend to hide. A teacher’s job is to encourage. Encourage. Stand tall. Perform. That’s the key to effectiveness. Tasks, however, must be relayed clearly, always based on the English as a Second Language (ESL) learner’s needs.

I’m going to go away and find a downloadable copy of the Superman IV: The Quest for Peace script. Perhaps my grade four students can rewrite the script, and use a cast of garden peas. It can’t be any worse. Mark Pillow, A.K.A. Nuclear Man came from Leeds, Yorkshire (U.K.). Best forgotten.

I guess the writing just says that the movie is bobbins.