Ordinary? Decent? Criminal?


The Home MCR audience were on the edge of their seats from the outset. No curtain pulled back. A wide stage with simple metal crowd-control barriers, lighting, and a large swathe of material alongside a step was all that could be seen. Varied lighting followed throughout. However, barging onto stage with full-blown presence was political comedian, Mark Thomas. Except it wasn’t. Mark played everyone within the play, centred around Frankie.

“Full of heart and power.” – British theatre Guide


Frankie has been busted for importing narcotics. Banged up inside the character narrates a dead gripping story, through various characters and moments shadowing the 1990s. The content involves the Berlin Wall downfall, Strangeways riots, Britain under Thatcher, and the IRA. Light materials. The properly bare Mancunian Home theatre stage was filled with energy. Thomas delivers. The pace flips, sensitivity grinds, and characters fly out of the solo lead. Ex-squaddie Bron and De Niro enforce and run the wing and similarly the audience.


“A fundamental belief in the power of rebellion.”- The QR

The exploration of freedom, power, and injustice is full of wit but is heavy in its themes. The toxicity of colonialism and is effects on modern day are rife. Just like real life there’s elements of toxic masculinity and how the current prison system is a duality of both luxury and hell. Thomas does not preach. He owns it. It feels like you’re down The Railway pub on Dean Lane, supping on Crystal lager and the chat is fresh from his belly. Ed Edwards has written a mint and pacey script weaving politics with graft.


“Gripping and subtle.” – The Guardian

Intrusive Thoughts

Saturday was a tough day. Tough to get out of bed. Tough to put one leg in front of the other.

Heading to the ground, I suddenly felt the need to cry, and slip away somewhere alone. I’ve always found it easy to step back and find solace or pull myself up. Today felt different. It was as if some gremlin was hanging on my toes inviting me to slide under ground into a pool of blackness. I dropped my friend Nat a message and went for a refreshing wander. I thought about calling my best mate Dan and realised how much that I didn’t want to speak. I sat and stared at the bleak Ashton canal. Its uninviting tones warned away those beyond water. I peered at leaves and their array of colours. Autumn’s cooler breezes had arrived.

Motivation is limited. I feel energy levels have sapped. I don’t want to do anything. It seems like every day is a push against a wall that won’t budge. I have so much to live for. I have so much to be responsuible for. I am incredibly lucky. Yet, the coolness of autumn and the shedding leaves feel unwelcome right now. I know days and nights will improve. I believe things will get easier but today, like Saturday, it is okay not be okay. A cliche maybe. But, that is how I feel.

Negativity at football seemed magnified. Impatient fans failed to cloke their dislike for Nunes and Nico. Neither did much wrong. Both put in a shift. I felt like turning on fellow fans. Instead I applauded those players louder and more passionately. Armchair and stand managers should still back their team, no matter who wears the shirt. It didn’t improve my mood.  Then I pondered calling Dan again but realised I had no desire to talk. Sorry Dan, miss you matey.

I want to thank my friends at City, the ones I bumped into and nattered to, and remained with after the game for a while. Chatting to my mates, I happened upon a chance to talk to and get a programmed signed by the modest and splendid poet and author Lemn Sissay (OBE FRSL). His book Tender Fingers in a Clenched Fist has always stood out in my mind. Rain is another example that I can’t forget. And Daz, for the lift to Gateshead to see City draw with Newcastle Utd in the Subway Butty League Cup – and win a bonus point 7-6 on penalties. Daz, Haguey, Alison, Hagred and co have kept me sane for the last few years of football. A great bunch that have distracted me. I love my friends and those I encounter at work, at football, and in my life. They make me stronger and I hope they feel my heart.

And back to Saturday morning, collecting Astrid at the newly opened North View mental health hospital at Crumpsall. It was opened by Ricky Hatton. I couldn’t help think about his departure from life. I was born in Crumpsall, and I caught my vision and thoughts about my own mortality. I fear death. I have too much left to do. I also know how close the fine line between here and the next life appears. That void or whatever you believe isn’t far away. And at Crumpsall as I waited for my sister. I found my overactive mind imagining the ripple effect of my death. It hurt. It shook me. I questioned my own mind. It scared me. I’m not ready. I have much to do.

I played football again tonight. I didn’t want to play. I felt numb. I went to clear my head and pull my socks up. So, what now? Think I’ll call Dan tomorrow.

The Fog Of Guilt.

Are there many novels that celebrate and champion persistence? Do all cops in novels ignore authority and tackle the weight of bureaucracy through ignorance? Early reviews pointed me to a challenge.

Inspector Imanishi Investigates by Seichō Matsumoto is a post-World War II novel originally penned in 1989. The lead protagonist, unsurprisingly, is Inspector Imanishi. He is a world apart from the rebellious bulldozing Harry Bosch found in Michael Connelly’s novel series. Instead, Imanishi is methodical, modest, and clinically human in his approach. He persists without need of a lightbulb moment or an act of genius. At every turn Inspector Imanishi displays empathy. He listens. He feels the victims’ lives. He endures whilst remaining ethical and responsible. The fog of guilt lurks. Grief and shame wallow. The good Inspector appears to put himself in others’ shoes.

What happens when guilt becomes unbearable? Drawing on a contrast of a post-war reshaping metropolitan Tokyo and that of rural provincial Japan, this book uses geography, culture, and traditional etiquette to deliver the truth. Themes of memory and recollection, urban alienation, interconnectedness, societal and historical tensions. The slow movement of justice’s machine underlines the need for structure and hierarchy but appears to comment on a lack of urgency. What secrets live between city lights and village shadows? Can you bury a crime in a country still healing?

How well can you really hide from who you were? The plot features new names, misdirection, reinvented pasts to escape guilt, shame, and consequences shows disguise as social-cultural adaptation. In an ambiguous world, the detective is a constant: deeply moral. Rarely does a slow-burn of a book stand out, yet from the opening chapter to the conclusion, I was hooked. The jigsaw was essentially a lesson in the importance of detail. Like a cold-poured Guinness, “Good things come to those who…. wait.” The novel’s ending seemed more reflective than triumphant yet left me wanting more. Was reluctant justice enough? Does empathy make the best detective?

Matsumoto’s Inspector Imanishi Investigates is a novel celebrating persistence and realism. It is the antidote to flashy books filled with spectacle and glamour. The notes of fading traditional values give hints at a nation’s people suffering an identity crisis – or at least instability causing a social flux. I found myself pondering, how much of our world’s remembered reality was misremembered? Can patience solve what brilliance cannot? Is closure enough when lives have already been lost?

Not Too Tame

Once more into the breach we stepped. Mam and I popped to Salford. This time the mercy of the Gods waited. You know the Greek Gods. In Salford. Paul and Mam had introduced me to Not Too Tame before, and I had a hunger for more. Gods of Salford presented that opportunity.

Through the talented helm of Not Too Tame theatre, the audience plunged into a building site, engaged in some friendly participation, before being whipped into a frenzy. The usual midweek night in The Lowry this was not! Jimmy Fairhurst’s directions gave working-class heart and strength to a blend of modernity coupled with mythology. Cultural references slammed together with moetal defiance and resilience.

In a make-believe-believable world, overlords looked to determine the fate of a young cast of underlings. Much like modern life. Olympians, of the ancient kind, may have seemed up against it. Streetwise sense and a touch of “fuck off”-ery gave rise to a battle against all odds. This was theatre, with a hint or ten, of reality. Anthony Quinlan starred as Zeus, Laura Harrison and her incredible voice as Hera, and Jimmy Fairhurst as Hermes. Arguably, the stars of the show were the wide and broad troupe of young actors and actresses. Created and written by Not Too Tame, Jimmy Fairhurst, Andrew Butler & Louise Haggerty, featured a stunning set, seamless scene changes, a snappy soundtrack, and giggles galore. The aim of Not Too Tame is to make sure all audiences know “theatre IS for them.” True inclusiveness.

In 2025, The Lowry celebrated 25 years of presence at Manchester Port, renamed Salford Quays. Under the shadow of BBC and ITV studios, L.S. Lowry’s artwork equally sits by future potential and tried and tested acts. Opportunity’s hand glows on stage and Gods of Salford was no exceptional. Featuring a catchy soundtrack, poignant moments, and sharp dialogue, each moment flew by leaving the audience wanting more. After just 65 minutes, it was all over. So, what’s the next Not Too Tame production? Hurry up! Until then, other theatres and other groups will have to do.

“Remember, remember my name…” lyrics from a song featured in the show, God of Salford.

Escaped Alone / What If If Only

Recently director Sarah Frankcom delivered two incredible plays at the Royal Exchange Theatre, Manchester. The radiant light of the domed roofing cascading light over an internal structure resembling The Crystal Maze’s finale.

First up was Escaped Alone cloaked in a tremendous intensity. For 50 minutes, a quartet of acting stars deliver performances worthy of awards. Award-winning 74-year-old Annette Badland (Ted Lasso, Bergerac, and many, many more) has appeared on the silver screen, radio, theatre, and other media. Escaped Alone and What If If Only, Annette Badland played two different roles. The dramatic Glaswegian voice of Maureen Beattie OBE (Casualty, The Bill, and a whole host of other appearances) filled the stage through a succession of apocalyptic articulations and enunciations with her stage peers. Margot Leicester has strolled many stages, film sets, and studios. Her credits include Coronation Street and Casualty (the go to show for acting). Souad Faress has featured in The Archers, Casualty, and The Spy starred throughout the effusion, delivering the outpouring histrionic excellently.

What If If Only brutally strikes at the heart – even though it only lasts 25 minutes. The dialogue is sharp, enticing, and enhances the talented cast within a tale familiar to memory. The depths of loss, grief, and anguish mask fond memories and occasions. Here the lost future, present, and more visit upon a hapless mourner. Game of Throne’s 18-year-old co-starlet Bea Glancy featured in a haunting segment of What If If Only. The main star of this gripping grief-stricken play is Time and Beaker Girls actress Danielle Henry. Across from the main character, Someone, is Waterloo Road star Lamin Touray, fresh from All Creatures Great and Small and other such roles. The Royal Exchange Elders add further dimension to Caryl Churchill’s play.

All in all, two great plays, watched at a time of rightfully-heightened emotion. A pleasure to accompany my Mam to each performance. And if you haven’t booked a ticket for the theatre, “Go to”.

Kristen Perrin’s How to Solve Your Own Murder: Review + Light Up Lancaster

How to Solve Your Own Murder by Kristen Perrin is a page-turner with a unique premise that sets it apart from other mystery novels. At first, the genre and title didn’t attract me. Once I’d opened the cover, the protagonist’s posthumous investigation is intriguing, and Perrin’s plot is full of clever twists and turns. The novel’s fast-paced and suspenseful narrative keeps readers engaged from start to finish. Perrin’s innovative approach to the mystery genre makes this book a highly enjoyable and memorable read. 

At times, I thought the book to be both gripping and inventive take on the classic murder mystery. However, I felt torn between changing a chosen book to read. At first, the story centres around the protagonist who, after her own untimely death, must piece together the clues to uncover her killer. It sounds cheesy and forced. Perrin’s writing is key to why I continued. The delivery is sharp and witty, with a plot that keeps readers guessing until the very end. That being said, it doesn’t leave too many imagined options.

The novel’s unique premise and well-developed characters make it a standout in the genre. Fans of mysteries and thrillers will appreciate the clever twists and the protagonist’s relentless pursuit of the truth. as it offers a fresh and intriguing spin on the traditional mystery narrative, Kristen Perrin‘s well crafted work stands out as a must-read for mystery enthusiasts looking for something different. A thought-provoking and compelling mystery told through the themes of identity, justice, and the afterlife. May contain deeper philosophical undertones.

If a soundtrack is needed for any future televised or silver screen production, then look no further than Rebekah Okpoti‘s haunting score for the Light Up Lancaster event installation in Lancaster Priory. Amongst the visuals by artists Jonathan Hogg and Nick Rawcliffe, a tone of menacing organ music filled the vast Lancaster Priory. The acoustics seemingly fit multiple genres of entertainment, and I reckon Kristen Perrin’s work deserves a soundtrack.

The Lancaster Priory’s Director of Music, Rebekah Okpoti, took inspiration from William Herschel, playing a tune overlaying an almost eye-lije triangle screen sinisterly reflecting kaleidoscopic journeys. The other town light installations varied in shape, sizes, and subtletkaleidoscopicy, much like the words of Kristin Perrin.

Amy Helen Bell’s Under Cover of Darkness: Review

The cover stood out. It had to read. I could not resist dipping beneath the cover of Under Cover of Darkness.

Amy Helen Bell’s Under Cover of Darkness slings the reader deep into wartime Britain. Loaded with intimate and authentic historical detail, the author’s power of research ploughs meticulously through an era of conflict plagued by rationing and air raids. Central to the storyline are compellingly genuine characters beating with a heartbeat of transformation, through loss and adaptability.

Inner conflicts hug danger like a hand grasping the wrong end of a knife-blade knowing that to let go would be disastrous. Turning over pages, a narrative of sacrifice, duty, and moral dilemmas emerge to test even the most devout in their resistance of desire and maintenance of responsibility. Are choices always clear?

Through a fusion of pacing, timing, and psychological tension, Amy Helen Bell’s world builds an edgy psychological tension. During our privileged era, the shifting roles of women during World War II created new opportunities for women. Bell capture’s a spirit and revolution in her story, exposing the complexity of newness and challenges faced by women, at that seismic time. For feminists and history buffs alike, this novel delves into the mean streets of London during a backdrop of fear and uncertainty.

This deeply human story sensitively connects the fragility of romance during conflict and the jeopardy of life’s end point seeming ever nearer. Nods to the psychological toll with trauma, resilience, and grief evident throughout the chapters. Ethical dilemmas integrate the human capacity for good and evil, without sounding preachy. That sense of resilience underlines community and togetherness offering hope amongst the doom and gloom.

Through skill and crafting, Bell’s writing style elevates the story beyond just another war story and showcases depth and range of storytelling through suspenseful character-driven narratives.

James Naughtie’s The Spy Across the Water: Review

Head of Zeus publishers release The Spy Across the Water by James Naughtie caught my eye through its cover. Between the covers unfurls an intricate web of intrigue via a fascinating yarn of espionage and loyalty. The backdrop of a familiar Cold War sees our protagonist’s pathways into a dangerous game of intelligence and counterintelligence. Trust is a rare commodity. However, through Naughtie’s evocative and gripping writing, tension rises and falls, maintaining a grip on the reader whilst bringing to life a Cold War era uncertainty.

Fans of Mitch Rapp (Vince Flynn), Jack Reacher (Lee Child), and James Bond (Ian Fleming) will find the characters make it a compelling read that will resonate with fans of spy fiction. Naughtie’s pace of plot plods along through intellectually stimulating layers of authentic tension and historical accuracy. This book, with lead Will Flemyng, is a must-read for anyone who enjoys sophisticated spy stories that challenge the mind and keep the reader engaged from start to finish. 

James Naughtie is a BBC special correspondent deeply knowledgeable in democracy and respected throughout his field, except for on X (Twitter) because nobody is respected there. Not even the dead.

Now, it’s time to find the previous books in the series… The Madness of July and Paris Spring shall follow, even though they’re prequels to the book I’ve just read.

Katie Flynn’s A Mother’s Secret: Review

Katie Flynn’s A Mother’s Secret is a heartwarming tale that delves deep into the themes of love, resilience, and family bonds. Set against the backdrop of World War II, the novel follows the life of a young mother struggling to protect her family and safeguard her secrets. Flynn’s evocative writing and well-drawn characters make for a compelling read that is both touching and inspiring. This book is a testament to the enduring strength of maternal love and the sacrifices made during challenging times. 

Interestingly, as I expected, the book’s author is a continuation of her work via her daughter. Katie Flynn’s enduring name lives through her daughter Holly. Holly rips into the work, delivering a glimpse of historical detail, life for the working classes, and the trials and triumphs of Wartime Britain. Katie Flynn, a pen-name of Norwich-born Judith Turner, passed away in 2019, after 82 years of life that threw a catalogue of books our way.

A Mother’s Secret draws tender attention to details, emotional struggles, and a secret with the odd unexpected twist. Love, loss, and redemption are portrayed in both a realistic and evocative way. Lessons about the strength required to confront and overcome past mistakes shine throughout the novel. The plot, however, lacks jeopardy in its delivery. That does no damage, as the focus of a mother’s love stands tall.

Katie Fforde’s Island In The Sun: Reviewed + Keane

Island in the Sun by Katie Fforde is a feel-good novel. I get why it’s popular. The age-old tried and tested niceties of its contents are visible from the cover to the blurb. It isn’t for me. That also applies to Keane, although this band does have some gorgeous tunes that are worthy of many playlists, including my own. If you like uplifting stories and music, pair up this novel with Keane’s Hopes and Fears.

“We’re spiraling; We’re tumbling down. We’re spiraling; Tied up to the ground.” – Keane lyrics, Spiralling

Usually, I would’t pick this kind of book up. Island in the Sun by Katie Fforde is a warm and enchanting story that transports readers to a beautiful, sun-drenched island. The book’s themes of love, self-discovery, and new beginnings are beautifully explored through the eyes of the protagonist, whose journey from uncertainty to confidence is both relatable and inspiring. The island setting serves as a perfect backdrop for the blossoming romance and the personal growth that occurs throughout the story. I also wouldn’t usually be found listening to Keane for too long.

Attending Keane’s 20th anniversary tour of their debut album, Hopes and Fears, was a pleasure. The tunes are melodic, the fans impassioned, and the band itself, divine. Tom Chapman, on lead vocals, alongside Tim Rice-Oxley and Jesse Quin, sit on the softer edge of rock, somewhere between indie and soul, and all the other gentle musical genres. Slow to mid-tempo rarely jump up beyond their distorted piano and instruments, but it works. Somewhere Only We Know is a gorgeous ballad. My sister Astrid was certainly enjoying the gig. She seemed to know every lyric instinctively. If ever Tom Chapman needs a break, Astrid is ready and waiting.

“I hold you in cupped hands; And shield you from a storm; Where only some dumb idiot; Would let you go.” – Keane, Sunshine lyrics

The Katie Fforde book is highly recommended for fans of feel-good romance novels, especially those who enjoy stories set in idyllic locations. It’s a perfect summer read for anyone looking to escape into a world of love and sunshine. I am not sure that I would pick this book up again. Much like the novel by Katie Fforde, the band Keane is sun-soaked, cheery, and filled to the brim with credible content. It is easy to imagine scenes of the book with the background music, This Is the Last Time. It doesn’t mean I won’t be revisiting the author’s or band’s works.

Katie Fforde’s Island in the Sun is a charming novel beautifully capturing both the themes of second chances and rediscovery. Richly drawn characters take a journey through a central landscape of warmth and magic. Dollops of personal growth land alongside love found at an older age. Expect whimsical blends of romance throughout vivid escapism. Much like the lyrics of Keane, satisfyingly atmospheric moments will occur. Perfect symmetry, indeed. Keane’s gig was postponed, much like the opening of Coop Live in Manchester. The wait was well worth it. An emotional Tom Chapman cut the stage-audience interactions perfectly, and on reflection, Keane delivered fantastically.

A seed of hope.

A Muslim hand could hold a Jewish hand.

White van man, Audi driver, and all around us should be survivors.

Creation and creatives devour words and art, feeding us new days and ways.

A Palestinian should be born under safe skies.

No guns, no knives, no fear: just lives.

The Scottish, English, or Welsh must walk together.

Whatever you believe, be able to show it. Be able to grow it.

Let the music of Bob Marley show one love.

Switch of the division. Let videos and lies fly away like fireflies.

Their dreams and plagues will no longer taunt and haunt us.

Together is always better. A community of unity.

Failure to success; pain to redress; broken to fixed. Live forever.

Some day we’ll find a brighter way.

It starts now: I give you a seed of hope.

NPQ Literacy Lead: Notes

Reading is more than being able to say words out loud. Reading is the ability to process and understand a text. If the reader can’t decode or comprehend something they lose out. Those who don’t understand it, will not enjoy it. We must make sense of something, whether words, sentences or wider language aspects in order to have the key to access the content. To close word gaps, we must listen, engage and allow responses at every possible avenue. Giving opportunity to answer, question, respond to asides or talk with a partner can allow that moment of reflection or self-correction. Using modelling through sentence starters or stems gives students a step up onto a ladder that can serve as a basis for getting the output right. Alongside stories, rhymes, poems, sing-a-long opportunities, and conversation, there are various opportunities to drill, repeat and replicate or create. Students should be allowed freedom of expression to demonstrate a foundation of comprehension via discussion

The Chinese linguist Rèyīlā Dáwútí (热依拉·达吾提) recently has been confimed of “endangering state security”. As one of many intellectuals in China and its western province, she has been active as a director of her founded Minorities Folklore Research Centre. To many, this text alone, about an imprisoned anthropologist offers challenging textual content. To allow students to access this material, thinking aloud is essential. An educator must model the contents, perhaps explaining an impartial background to the region of Xinjiang Autonomous Region, or explaining how ethnic Uyghur people like geographer Tǎxīfǔlātí Tèyībài (塔西甫拉提・特依拜) and economists like Yīlìhāmù Tǔhèt (伊力哈木·土赫提) face extremely life-threatening situations for allegedly “splitting the state”. On the other hand, the educator can extend their tasks to see the points of view of the Chinese Communist Party and how those who undermine or critique policies could be seen as a danger to the state. Cases such as the hijacking of Tianjin Airlines Flight 7554, the Pishan hostage crisis, the 2010 Aksu (阿克苏市) bombing, July 2009 Ürümqi (乌鲁木齐市) riots, and the 2012 Yecheng (叶城) attack indicate the situation is not black and white. Students could collaborate with peers in a way where they discuss what they know, what they could research and how they could link it to other local or international situations. The educator could probe and question to allow students to demonstrate their understanding through talking to read and learn. These methods should be transformational in a student’s ability to take inferences from conversation. Inference skills in conversation can be transferred to reading. Rereading and processing a text helps. Repetition is key. Using predictions, clarifying skills and questions, modelling through talk gives opportunity to develop. 

Adults must have a positive attitude to reading. I know that my mother reads often and has always read a large variety of text. I know my fathe reads infrequently, yet has always worked hard to surround my siblings and I with books. Most have been of his interests, trains, birds and British places. Through these reading role models, I have formed a passion for reading. Well-trained teaching staff like Mr Andrew Jones (Chapel Street Primary School, Manchester) and Mr Tony Mack (Reddish Vale High School, Stockport) have always stood out in my memory. They have reinforced my reading habits, however, neither were heavily influential with the deep decoding, vocabulary, fluency and comprehension. That, came earlier in primary school at New Moston Primary School and Clayton Brook Primary School. At these primary schools, through a variety of echo reading, choral reading, partner reading and independent reading tasks, I developed my reading comprehension. The three primary schools I attended used fidelity to programmes, with clear intent, pace, and direction. Biff and Chip, amongst others allowed myself as a student to follow the pedagogy from the teaching teams. I recall targeted support for classmates and evidence of effective assessment. Targeting the next levelled reader or colour of books was always my aim as a youngster. In hindsight, I now understand why. Those self-inflicted aims and targets also stimulated my reward and pleasure in reading. 

The Education Endowment Foundation (EEF), a charity dedicated to smashing the gap between families on low incomes having access to education and doing better for themselves. Through evidence and support, the EEF improve teaching and learning opportunities. The EEF (another acroymn, sorry) note that robust training is essential for teachers, and how teachers manage their own responsiveness. The teacher should be matching student pace, responses, whilst responding to their needs. As with many education groups and foundations, they champion the need for engagement. If a class or lesson is more interactive and enjoyable, then by doing the work it is more likely to stick with the learner. Classes need adaptive teaching and learning because those adaptations shall scaffold and shape the learner’s access and focus. Keys open doors, but not all keys fit all locks. Educators must select appropriate keys. 

The best teachers know their pupils. They put knowledge into practice. They think over timing, assessment, resourcing (including additional targeted support), allowing time (“Go on, give it a little more time.”), expert delivery and teacher links to reality and the wider world. 

Vocabulary, knitted tight with all manner of bespoke definitions and its purposeful variations can either create an active interest or not. The words that can be used maybe fascinating and diverse, but education is not about churning out another Susie Dent or other such experts. Vocabulary does, however, need a degree of immediate interaction or repetition of use to allow deep processing. William Shakespeare played with words, coined new words, pairings and phrases. Those who used these intended or unintended mistakes and uses evolved over time. Prioritising vocabulary is natural. We use many tier 1 words (e.g., this, that and the other) frequently to access text. From that, tier 2 words (e.g. calf), allow us to access text, but these appear infrequently. Up above are the tier 3 words that are specific to subjects, e.g. globalisation. 

Mathew effect word-rich students become richer in knowledge. Word-poor students fall behind. This may be due to the quality of parents’ talk, or a lack of role models. Students may not have a bookshelf. They may be too distracted by TikTok or social media. The importance of allowing students opportunity to explore text through talk and stories allows exposure to greater depth of text and vocabulary. Through this students can become word-rich. Robust exposure to vocabulary will increase accessibility to text. It needs repetition to strengthen and embed. They should be hearing and seeing words over and over again. Imprinting vocabulary repetitively. Again and again. Literacy is a key that opens doors and opportunities. Without it, education is likely impoverished.  

Comprehension is not a simple matter. It is a combination of skills. It is the sum of many bricks in a pyramid. Comprehension makes the pinnacle. Beneath it, a duo of blocks including word reading and language comprehension. The lowest blocks, above the surface, include decoding, full word recognition, fluency, inferencing, comprehension monitoring and text structure. Under the ground a line of foundation blocks stop the pyramid going all Tower of Pisa. These include elements of phonological awareness, print knowledge, vocabulary, grammar and syntax. Thinking in big words, these cross all aspects of orthography, semantics, etymology, lexicon, executive function, morphology and syntax. Master all of these skills, knowingly or unknowingly and doors open to treasures within. 

English schools teach synthetic phonology from an early age. We simply champion it. It is first on the agenda. This allows chance for young learners to copy and prepare themselves for later phonics screening checks. With this in place, phonology leads to fluency. That consistent implement of accuracy and speed builds towards automaticity. This will likely boost motivation and increase overall comprehension. All of which can be visible indicators towards future success. Here a reader can develop prosody. Those appropriate stresses, intonations and variety in volume develop phrasing and pace smoothing. Gaps in knowledge need filling in, to prevent the crumbling of comprehension. To support this, a variety of methids can be applied. Understanding a student is important. Some may follow a mathematical process, some may be more literal. Books enable. As does conversation. Reading for Pleasure, is both a way to access and inspire students. This can act to model and scaffold, as well as act as a powerful influence. 

The Independent review of the teaching of early reading (Jim Rose, March 2006) compiled for the Department for Education & Skills recommended teaching and training in literacy as “building quality rather than capacity”. It identified five key competencies that children must be able to show before they can progress in their successful acquisition of reading skills. Without these, then secondary school reading content becomes a barrier. 

Do not discourage a student trying a difficult text. Let the student own their challenge.  

DFE Reading Framework 2023 “same alphabetic code” for all students 

Tim Rasinski advocates using song, poetry and games to teach and familiarise vocabulary within reading. The Bridge is a fluency bridge with phonics and comprehension as islands, with prosody and automacity as bridge foundations. 

Alex Quigley ‘Closing the Writing Gap’ / ‘Closing the Reading Gap’ / ‘The Confident Teacher’ 

Share the secret. Stimulate curiosity. Active their prior knowledge. Teach ‘keystone vocabulary’ / ‘read related texts’ 

Andy Taylor, F.F.T. reciprocal reading, C.P.D.s, developing vocabulary etc 

O.F.S.T.E.D. state daily reading is a non-negotiable and staff hear pupils read regulary. 

Lighthouses in a storm.

I’ll never be Benjamin Zephaniah. Nor will I be Jimi Goodwin.

I’ll never write a hit poem. Or sing to the crowds of Berlin.

I’ll never be a preacher on a hit TV show. Not one play developed.

I won’t start a foundation. I won’t wrap words up well-enveloped.

I won’t mourn who I didn’t know. I will pass on my condolences.

I won’t dwell on the passing of life. I will celebrate the old and look out for the new.

What I will be is: inspired.

What I will do: write more.

What I want to do: my very best.

What I feel: inspired.

Benjamin Obadiah Iqbal Zephaniah (né Springer; 15 April 1958 – 7 December 2023)

Peak Reading.

K2, a nightclub in Wales, owned by Donald “Jock” Kane was the sister bar to Kane’s Bar. The Aberystwyth-based former semi-professional footballer and Green Legend of Aberystwyth Town had capitalised on a famous mountain’s name. Yet, around Ceredigion, no huge peaks could be seen. Snow-capped hills in winter, occasionally. It was here in the university town that I lifted a copy of Heinrich Harrer’s The White Spider. The text translated from German to English detailed the first successful attempted climb of the North Face of the Eiger, a mountain close to Bern in Switzerland. This 3,967-metre (13,015’) mountain includes a staggering 1,800-metre-high (5,900’) wall of rock and ice.  The southern face and glaciated region make for a pictureque and challenging adventure. It has long fascinated climbers, much like K2’s bar drew in students from Aberystwyth University. 

“The mountains are calling, and I must go.” – John Muir, Scottish naturalist and mountaineer, 1838-1914 

The nickname of Mordwand (a German pun based on death and the Germanic Nordwand, or North Wall) highlights how difficult and technical the Eiger’s North Wall is to aspiring climbers. Such is the beauty of the mountainous region that engineers tunneled a railway from Kleine Scheidegg in the top of nearby Jungfraujoch at 3,463 metres (11,362’). The highest altitude railway station in Europe passes through the Eiger mountain, stopping at the Southern face but sadly no longer serving the Northern face. Following The White Spider, I stumbled onto mountaineer Jon Krakauer’s Eiger Dreams. The writer had become quite popular for his outdoor-themed books Into The Wild and Into Thin Air. My fascination with climbers, adventures, and those big protrusions of alien rocks that top our planet had begun. In 2017, 2019, and 2020, I trekked on paths beaten by great mountaineers and experienced the majesty of the Himalayan peaks overhead. I dreamed and still dream of seeing K2 in Pakistan, yet feel it a tad dangerous to go for a wander. 

“Mountains have a way of dealing with overconfidence.” – Hermann Buhl, Austrian mountaineer (died aged 32, Chogolisa [乔戈里萨峰], Karakoram) 

Through videos, photographs, interviews, and books, I have been transported to the frostbitten weather-lashed 2nd peak of the Karakoram Mountain range: K2. One such award-winning and enthralling book, Buried In The Sky, was sitting neglected on my bookshelves for too long. Through journalistic writers Amanda Padoan and Peter Zuckerman, the text explores the reasoning behind the 2008 K2 disaster, the cost, the effects, and the hunger to climb. The book whisks you away, at an intense pace, through a combination of deep research and authentic accounts. It adds testimony to unsung heroes, cultures and people who otherwise shared limited voices at perilous heights and during the tragic aftermath that saw Jumik Bhote, Pasang Bhote and 9 other international climbers perish at the hands of the mountain. The book highlights the low success rate, high fatality rate, and why K2 is much more remote than the tallest mountain, Everest. Deservedly, it focuses on high altitude support crews and porters.

“We should be less afraid to be afraid.” – Emily Harrington, American professional rock climber and mountaineer (https://emilyharrington.com/

https://upload.wikimedia.org/wikipedia/commons/8/85/K2-above-Bottleneck.jpg High on K2: Seracs above the Bottleneck, CC BY-SA 3.0 Deed, by Rolf Kemp

Having put down that book, I lifted up a fellow-neglected-book-on-the-shelf. My friend Javier Felones always said that I should read Anatoli Boukreev’s account of the 1996 Everest disaster. I have ploughed through many of the books that have arisen from that notorious disaster. There are many. The mystery of events and the disaster are unclear. The dead remain dead. The disaster and understanding of those who lived through it or contradict others and their accounts tantalises many readers. Anatoli Boukreev’s account, written with G. Weston DeWalt, now offers my next excursion in reading for pleasure. 

Recommended further reading: 

Jon Krakauer: Into Thin Air (1997) 

David Breashears: High Exposure (1999) 

Beck Weathers: Left for Dead: My Journey Home from Everest (2000) 

Jamling Tenzing Norgay: Touching My Father’s Soul: A Sherpa’s Journey to the Top of Everest (2001) 

Ed Viesturs: No Shortcuts to the Top: Climbing the World’s 14 Highest Peaks (2006) 

Graham Ratcliffe (2013): A day to die for: 1996 : Everest’s worst disaster : one survivor’s personal journey to uncover the truth (2013)   

The new book

Opening the cover beyond the title and an author’s name, ignoring the blurb in the rear, smelling the pages, and anticipating what lies within. The smell of books decomposing ever so slowly, losing their cellulose and lignin is known as bibliosmia. A book shed that information to me once. A bibliophile needs to know that. Some folk say books smell and attract us. It could be. I’d have to read about that to understand it.

The peaty, earthy, and slightly musty smell is neither a grotesque or pleasant smell. It is a familiar one. So, today, on my 41st birthday, I open Vince Flynn’s American Assassin. I’m unsure if I have seen the movie by the same name. It’s insignificant. All I know is that I want to read the book and feel the author’s words. My Aunty Christine rehomed this book with me. She recommended it. That was some time ago. Good things come to those who wait?

The nostalgia of feeling a book in your hand has made me ignore my Kobo e-reader, almost immediately after Mum gave it to me years ago. I’ve used it for reading literacy documents and nonfiction. That’s all. The bibliochor fragrance is all too tempting. Tiny dust mites, squashed spiders lost in the pages, and the odd note by a predecessor of a reader make books a fair journey into timelines and places beyond the text. Each book, even the crap ones, packs potential for a new world or inspiration to read more, write better, or seek new nostalgic texts.

Some books are unpardonable and need discarding. Some can not be put down. Some demand full attention, and some will sit silently awaiting the caress of a gentle reader. A few books will get battered and lay tattered. Many will touch hearts, and others may heal, or hug, or wrap amongst the DNA of the eyes upon the pages. Emotions and feelings from junior texts to deeper heavier lexile demands may equally challenge or relax a reader. The duality of opening a book and opening a door to a new story awaits.

Simon & Schuster, the publishers sits on the spine. The New York Times Bestseller awaits. So, prelude, page one… off we go… over to you, Vince Flynn. I’m ready to read.

An Inspector Keeps Calling

Toby Jones, now seemingly everywhere, went a tad crazed in the recent Indiana Jones and the Dial of Destiny. As Harrison Ford searched for the thermostat settings, our man Jones, Toby that is, acted impeccably. His rise to Hollywood from the University of Manchester has been truly Marvellous. Just as Toby floats in and out of Marvel superhero movies, he can be seen on local stories such as The Detectorists and true stories such as Neil Baldwin’s surreal biopic Marvellous. One radio production that does stand out is that of An Inspector Calls. The 2010 production has been lauded, and Inspector Goole, played by Toby Jones is just one character in a story as relevant now as it was when penned by John Boynton Priestley.

“Arthur Birling is a heavy looking, rather portentous man.” – An Inspector Calls, J.B. Priestley

J.B. Priestley was a man of all trades: novelist, playwright, screenwriter, broadcaster and commentator. Raised in Manningham, part of once industrial Bradford, Priestley grew up in the shadow of mill chimneys and his headmaster of a father. His mother passed away in J.B.’s toddler years, but by the time he had reached Belle Vue Boys’ Grammar School, his father had remarried. On the banks of the Bradford Beck river, up from Belle Vue Terrace at Bradford City’s historic valley parade, the young writer J.B. was well placed to see the social norms of those who attended either grammar school or state schools. The Great War and wounds interrupted his early foray into journalism. Survival of the war allowed this ambitious writer the chance to attend the University of Cambridge. Trinity Hall. Having Boris Karloff star in one of his novels adapted to a movie did no harm. J.B. Priestley found time between writing to barrage words towards writers Graham Greene, George Bernard Shaw and pretty much all of Ireland. His prejudice and opinions placed him well during World War II. Here his voice became a BBC mainstay, second only to Prime Minister Sir-to-be W.L.S. Churchill.

“…no longer competing but are working together – for lower costs and higher prices.” – An Inspector Calls, J.B. Priestley

Perhaps Churchill or his cabinet led to J.B. Priestley being removed from the airwaves, for one reason or another. Perhaps not. It led to new pathways for the aspirational writer. The 1941 Committee, charged with increasing efficient war efforts called. Actors, Lords, writers, evolutionary biologists, and prominent people explored ways for people to live after the conclusion of the way. Chairing the committee was J.B. Priestley. Later he formed the breakaway Common Wealth Party, in some ways a forerunner of the political party, the Liberal Democrats. Oddly that put him on George Orwell’s radar. Orwell, tasked with identifying writers with pro-communist leanings, labelled J.B. Priestley as questionable. J.B. Priestley was with his second wife, in the last few years of that marriage. By this stage, the play An Inspector Calls was causing quite a stir. The stage play had debuted in the Soviet Union in 1945. It would be almost a year before London’s New Theatre would stage this drama. Did World War II bring Britain’s classes together?

“When you marry, you’ll be marrying at a very good time. Yes, a very good time – and soon it’ll be an even better time.” – An Inspector Calls, J.B. Priestley

The morality play focuses slaps capitalism down, clutches at the hypocrisy of the middle-class, and stamps down on outdated Victorian social values. Capitalism and socialism can be viewed through Arthur Birling and Inspector Goole, respectively. Set in 1912, neglect and prejudice thread between the dialogue and consequent suicide of working class Eva Smith. She died a death by Donald Trump’s preferred form of CoViD-19 cure, disinfectant. Inspector Goole grills the Birling family over entries into the departed Eva Smith’s diary. Arthur the patriarch alongside cold, yet superior, Mrs Sybil and their offspring Sheila and LadBible.com reader Eric make up the cast, alongside their mate Gerald Croft. Edna is the Mrs Doyle of the family, brewing up for all. The play features gentlemanly chivalry befitting a James Bond movie without the action. There’s a mention or two of the poor deserving this, that, and the other.

“Fiddlesticks! The Germans don’t want war. Nobody wants war…” – An Inspector Calls, J.B. Priestley

An Inspector Calls raises many questions with respect to its interpretation and content. How does Priestley present Mr Birling in An Inspector Calls? How does Priestley use Mr Birling to get his ideas across in the rest of the play? Does this character change? Why does Mr Birling use certain language? The play moves through Eva Smith’s stages as a factory worker, a shop worker, near homelessness and as a pregnant and potential future mother-to-be. The latter stage of deceased is speculative. It is both a morality crime thriller and an intricate crafted play, requiring the reader or watcher to pay attention. The use of repetition, cliff-hangers, shock (“Burnt her inside out”), twists (“That was the police.”), pauses, gasps, asides, and fluent dialogue. What effect does this have on the audience? How does Priestley use language to create drama?

“There’ll be peace and prosperity and rapid progress everywhere.” – An Inspector Calls, J.B. Priestley

An Inspector Calls is a play often referred to as J.B. Priestley’s masterpiece. It has been staged beyond then BBC, as far as Iran, as translated by political activist and writer بزرگ علوی. Good luck reading his name! Bozorg Alavi, incidentally. Richard “I don’t believe it!” Wilson even produced a version with Hugh Grant fluttering his eyes in the Royal Exchange Theatre, Manchester. It is possible to encounter multiple versions and imaginings of this play. BBC Radio with Bob Peck, Hong Kong (浮華宴), Bengali and Russian (Inspektor Gull) movies exist. In the U.K., it forms a backbone of G.C.S.E. English Literacy. The theme of age and the age of the play are as relevant as ever. As are the themes of class and gender, if you look at state of current world politics. Do we look after each other in society? Ask this question in the U.K., Italy and Norway for perhaps very different responses. How do older and younger generations perceive one another? Do children reflect their parents? Or, have younger generations progressed, regressed or adapted to new conditions?

“If you don’t come down sharply on some of these people, they’d soon be asking for the earth.” – An Inspector Calls, J.B. Priestley

The dialogue is sharp and shocking, full of Titanic-sized dramatic irony, rank and status, as well as the obsession of money. Tragedy and hoaxes are banded about like rumour and jokes. Boris Johnson and his Conservative government during and after the 2019 CoViD pandemic would have been proud of the Birling family’s reaction and inaction. Business experience appears to bypass humanity, favouring ability to profit over the death of an innocent person. The finale of the play draws the viewer in, building tension and raises questions. Who was Inspector Goole? What was his involvement? What is social responsibility? The characters, themes, form, structure and language coupled with the plot blend to create a sharp and dark story. Similarly, do leaders in our society take responsibility for their behavior?

John Boynton Priestley (13th September 1894-14th August 1984)



Pryce Writer.

Ever since the cinematic cover of the Aberystwyth Mon Amour noir novel caught my eye, I’ve needed to wear glasses. That isn’t so true. I have never worn glasses. Also, not true. I have worn sunglasses and safety goggles, as well as some sort of cinematic enhancement framed device. I have never worn spectacles due to an eyesight problem. Not that wearing glasses should be frowned upon. You can also frown without eyewear. One author, and probably a few more were glasses. Nobody judged them, or perhaps they did. I cannot be responsible for everyone. I wouldn’t want to be, either. Malcolm Pryce, the author of the Louie Knight series wears glasses and has great vision.

Mr Pryce, lectured at Oxford, published online videos (The Oxford Writer) for aspiring writers, worked in advertising and other such pleasantries on his path to becoming an author and inspiration to a walking tour in his childhood hometown of Aberystwyth. If you are lucky enough to read reviews or listen to them, you will see phrases and words such as:

“This is Crime Noir with a hefty dose of pastiche” – Girl with a Head Stuck in a Book, Amazon

“… with a dollop of Monty Python and a zest of The Dam Busters – is a riot.” – The Guardian

“Throw in some veterans, hidden identities and some really good ice cream and you have a story that can barely be believed” – Eco Witch, Waterstones

“…the off-kilter imagination that made Aberystwyth Mon Amour such fun is firing on all cylinders again.” – The Independent

“…such cadence, such panache and such abundant comic talent…” – Daily Telegraph

Many writers want a page turner, but as the author highlights, future writers should aim for much more in the imagined reviews of their future imagined texts.  

Storytelling at campfires from the times of men (with women and kids) living in caverns and caves has evolved time and time again. Curiosity, causality and conflict have spread in life and text, equally. Page one, the hook raises a question. Raising more and more questions, answering a few or all, whilst raising more adds to anticipation as we go from page to page. The page turner, so to speak. Causality must propel, and progress needs resistance, like conflict or things that go wrong.  

Scenes set tones, moments and a stage that action can live from. The reader reading a book imagines scenes, unlike those at the theatre or movies where actual reality or computer-generated imagery causes a scene to lead to another scene and every sequel afterwards. The finale is the end. Stories within stories lead to novels. Ian Fleming famously set his 007-vehicle Goldfinger in three parts. Part one: Once is happenstance. The sequel: Twice is coincidence. The finale: Three times is enemy action. Fate delivered in text.

Emotion in reading can be tragic. Readers are drawn to it. Stories can help us experience something life cannot always guarantee and help us connect to our hearts and minds. Writer Malcolm Pryce evoked a twang of curiosity and desire to know more, when he mentioned On The Art of Writing by Cornishman Sir Arthur Quillar-Couch. This Bodmin-born poet, novelist and critic pushed for short, sharp, succinct English to be used by writers to draw in readers. Concrete words are easily connected to and visualised. Abstract terms and jargon can be difficult to access for many readers. The simplest of words can generate a dramatic effect.

Beyond these paragraphs, other key topics included:

  • · story definition.  
  • · plot coupon.  
  • · habit
  • · never give up
  • · Vlad the Impaler was a memorable and model baddy
  • · morbid curiosity  
  • · In the Realm of the Senses (Japanese)
  • · the need for suspense (to arouse curiosity)
  • · Thisness  

“A professional writer is an amateur who didn’t quit”. – Richard Bach, author


Much more will be learned from Mr Pryce. I’ll save it for another day…

Useful links: Reading materials

Recently I was sent some links, and some I have already seen. I am not liable for the reliability and content of the links, nor any copyrights. Have a gander as you see best fit. Or not. I’m sharing because a few need checking later.

http://en.bookfi.net

http://www.gutenberg.org

https://archive.org

https://librivox.org

http://www.pdfbooksworld.com

https://www.pdfdrive.com

https://b-ok.cc

http://en.bookfi.net/g/

http://www.feedbooks.com/publicdomain

http://en.childrenslibrary.org

http://libgen.com

https://libgen.me

https://libgen.org

http://www.readprint.com

http://www.online-literature.com

http://freecomputerbooks.com

https://www.questia.com/library/free-books

https://en.wikisource.org/wiki/Main_Page

https://en.wikibooks.org/wiki/Main_Page

https://openlibrary.org

https://www.free-ebooks.net

http://digital.library.upenn.edu/books/

https://www.europeana.eu/portal/en

https://dp.la

https://www.dailylit.com

http://www.loyalbooks.com

http://www.online-literature.com

http://www.authorama.com

https://legamus.eu/blog/

http://www.openculture.com

http://www.planetpublish.com

http://zhongwen.com/gudian.htm

1. http://www.pdfdrive.net
2. http://www.b-ok.org
3. http://www.4shared.com
4. http://www.bookboon.com
5. http://www.worldreader.org
6. http://www.bookfi.net
7. islamhouse.com
8. wordofallaah.com
9. kalamullaah.com
10.  http://www.christianbook.com/page/ebooks/free-ebook
11. http://www.ebookee.org
12.  http://www.sharebookfree.com
13.  m.freebooks.com
14.  http://www.obooko.com
15. http://www.manybooks.net
16. http://www.epubbud.com
17. http://www.bookyards.com
18. http://www.getfreeebooks.com
19. http://www.freecomputerbooks.com
20.  http://www.essays.se
21.  http://www.sparknotes.com
22. http://www.pink.monkey.com

23. https://www.chinaielts.org/apply
24. https://toefl.neea.cn/examination_reg_cn.html
25. https://b-ok.cc/
26. http://en.bookfi.net/s/?q=&t=0
27. https://libgen.me/
28. https://calibre-ebook.com
29. https://mhschool.com/reading/treasure_workbooks/national.html
30. Free Kids Books – To read ONLINE ONLY http://en.childrenslibrary.org
31. Free Kids Books – To DOWNLOAD http://www.freekidsbooks.org

https://wolnelektury.pl

“We’re walking in the air!”

Raymond Briggs (18/1/1934 – 9/8/2022) was a multi-award winning author and cartoonist. The Snowman and Father Christmas have long been his well-known creations. When the Wind Blows and Fungus the Bogeyman are two lesser celebrated pieces of brilliance. The artwork by Briggs has often appeared grainy and drained of brightness, yet his style has been both eye-catching and bold.

“Books are not missiles, you don’t aim them at anybody.” – Raymond Briggs

Raymond Briggs created an arsenal of characters, both loveable and relatable. His touch of magic in their stories shines as an inspiration to readers and writers alike. Powerful messages and gentle love whistled from the pages. The 1982 adaptation of The Snowman has been an iconic piece of animation that has blessed many children over the years. The introduction by David Bowie and the soundtrack are equally iconic.

“The UK is struck by a devastating nuclear attack. Cities and communication systems are destroyed, roads melted, the earth and air poisoned and ravaged. All seen through the eyes of Mr and Mrs Bloggs living alone in the countryside, who are a bit peeved the milkman hasn’t came yet.” – When The Wind Blows, Raymond Briggs

Passing away at 88 years of age, the widower Raymond Briggs CBE leaves behind no children. He does however leave behind dreams and magic that few authors have matched. Those dreamy pencil colours that delivered sadness and hope will hopefully be visited and revisited by generation after generation at storytime.

““I don’t think about what children want. You get an idea and you just do it.” – Raymond Briggs, BBC interview 2017.

Raymond Briggs (18/1/1934 – 9/8/2022)

“Freedom!” – Really?

“Freedom!!!!”, shouted William Wallace as they drew the axe over his head. But what exactly is freedom, and how do we express it? Are freedom of speech and freedom of speech two different matters? What should we class as hate speech? How fine a line is the difference between abusive expression and creativity? How should be express ourselves to each other? Did Lenin come down the chimney at Christmas, for Marxists?

The 21st century is a time of flux for humankind. Was this any different for previous generations? Perhaps not. Civilisations have come and gone. Manners have been taught and unlearned. Nations have grown together and drifted apart. Wars have torn the fabric of perceived time and conscience into pieces, only for peaces and treaties to reaffirm calmness. Humankind’s communities and their individual personal breadth of histories have delivered humanity to a lens unique in time. Those discoveries, explorations, migrations and have led to a wider acceptance of expression. Gone are the chains of slavery, mostly.

The relationship to others through interconnectedness of individuals and civilisations offers both a global and local perspective of humanity’s varied interpretation of freedom of expression. The Oxford Dictionary defines it as ‘the power or right to express one’s opinions without censorship, restraint, or legal penalty.’

Freedom differs from place to place. As does expression. The homes and journeys an artist in Beijing, Tehran or Moscow may differ to that of an artist in Berlin, Paris or Manchester. Many so-called free countries such as U.S.A. will argue freedom is quashed in China, Iran, or Russia. Censorship to protect ideals, culture and people or nations is not a new thing. The word treason finds its origins in Latin. The Latin equivalent is traditio, from tradere (a verb meaning ‘to hand over’ or ‘betray’). Every empire or organised culture, since the dawn of mankind living in groups, has perhaps experienced the handing over of something to a rival tribe or clan. This was not a word invented for the two 20th century World Wars.

Democracy allows freedom of expression to grow and develop. Society can flourish based on access of information and hold those in power to account. From Emmeline Pankhurst and her suffragette movements to the formation of the Universal Declaration of Human Rights (Article 19) laws, rules and legal systems have evolved to support voices. The systems and cultures surrounding criticism and opinion needs to be an environment supportive to a voice. There must be the right to assemble, gather and share. Libraries and print go hand in hand with allowing debate and discussion. Some western and civil countries, like Australia and the U.K., threaten the rights of protest and questioning. To remove the ability to stand together against something a person truly believes in, is not seen as democratic, yet democratic countries are doing just that. Football manager Sir Alex Ferguson frequently banned journalists who asked questions relating to footballer Ryan Giggs concerning a court injunction and his reported affairs. That was his right, in a democratic society. But, was that withheld information something that people should have had the right to talk and express opinions upon?

In 1982, the Chinese government passed a constitution that guarantees freedom of speech. They also have clauses to cover ‘subversion of state power’ and ‘protection of state secrets’ with imprisonment a tangible possibility for such threats to their state. Many find difficulties with China’s image of their interpretation. But, are democratic nations perfect in their treatment of freedom of expression. The UK has a long-standing tradition of censoring theatre, movies, and the press. Reporters Without Borders, an international independent non-governmental organisation that safeguards freedom of speech, added the UK in the top 24 of global nations. The British Broadcasting Corporation prides itself on being impartial, yet many criticise the corporation for a growing list of bias.

“The free expression of opinion—even of opposition opinion, I do not know if you are prepared yet for that much freedom here.” – H.G. Wells, having met Joseph Stalin in 1934.

Je suis Charlie” (“I am Charlie”) is a term that has caused division in France and the wider world. Charlie Hebdo‘s magazine headquarters were attacked by extremists. The mass shooting on January 7th in 2015, by al-Qaeda’s Yemen branch perpetrators killed 12 and injured 11. They objected to the prophet Muhammad ibn Abdullah being drawn in cartoon style alongside a phrase translating to ‘all is forgiven’. The ripples of time gave rise to much attention including South Park influencing the ‘Everybody Draw Mohammed Day‘, and countless pieces of journalism that could raise questions about the safety of journalists.

Liberalism allows movies such as The Whistleblower be filmed, based upon true stories like that of Kathy Bolkovac to be told. The rights of the individual, their liberty and consent allow equality before law. The Nobel Peace Prize is nominated and awarded for such things. The continued debate of Confucianism philosophy keeps Kǒng Fūzǐ (孔子) relevantly rock and roll. Liberal thought continues to influence freedom of expression and finds its niche welcoming for continued proliferation.

“If you strike me down, I shall become more powerful than you can possibly imagine.” – Obi-Wan Kenobe – Star Wars: A New Hope

Censorship in media can take many forms. It could be substantial or partial. Whether it’s blocking Premier League football from copyright infringement or Tunisia hacking an individual’s Facebook account. Pervasive overseeing of the world wide web may require the use of a VPN (Virtual Private Network). Social media can often be a hotbed of freedom of expression and sharing of materials. The internet is full of information. Disinformation, misinformation (fake news) and malinformation can be used to cause harm or detriment to others. Much like putting your faith into a higher power, the believers, armed with false information may not intend to cause harm, but may muddy the waters and cause it nevertheless. Leaks, harassment and hate speech could follow.

“If you open a window for fresh air, you have to expect some flies to blow in.” – Dèng Xiǎo Píng (邓小平), reported by Torfox.

World War One and its poorly organised sequel World War Two saw a huge rise in hate speech between nations. Races of people were referred to as cockroaches. Something that history repeated in Rwanda, the Yugoslavian wars and probably happened long before The Great War was born. Discrimination has been around a long time, and sadly in the 21st century it does not appear to be disappearing anytime soon. Race (or colour) division: Kick it out. National origin is dividing. Age. Gender. Disability and ability. Religion. Sexual orientation. Animosity and disparagement has been targeting individuals and groups for as long as humanity has disagreed. Freedom of speech arms and disarms both sides of the divide. That’s where responsibility could glue together these problems.

“With great power comes great responsibility.” – Voltaire A.K.A. François-Marie Arouet [not just Spider-Man]

Nazi flags belong in museums as an example of what was, what went wrong and an alarm bell for the future. Students should be reflective – and caring enough to want to change the future, to avoid the negative history from repeating itself. Whether students at Tungwah International School (TWIS) or Chapel Street Primary School, or any other educational institution, the environment of learning is important. The right to seek information should be nurtured and encouraged in positive ways. Inquirers work towards being knowledgeable. Ideas can be received and expressed freely in the classroom. Thinkers should become communicators. They should remain principled and open-minded when doing so. Expression can allow balanced students to become risk-taking, by showing different shapes and forms. Likewise those who study should feel privacy keeps them from harm. Their freedom to learn must be a safe haven.

Wall Art, was once titled Peckham Rock. Artist: Banksy.

The street artist Banksy has been awarded great artistic freedom. Negatives of expression his work includes dissent towards his work. Peckham Rock was placed into the British Museum. Like all matters concerning freedom of expression and speech, the world is full of examples and sources to both support and offer facts about the subject. In explaining the subject briefly, a simple conclusion can be drawn. The debate of freedom of expression is open to interpretation and can be supported or argued against through varied means and ways. Research and examples can only stretch do far.

The notion of freedom of speech should be a fundamental global goal, both in democratic or autocratic societies, in order for change. The world is constantly changing and over a great period of time, evolution to adapt to ever-mobile conditions is a necessity. The mind must also progress. The Great Pyramid of Giza forms part of the ‘Seven Wonders of the Ancient World‘, factoring in a small region of the Earth. It completely ignores the far east, the northern areas of Europe, huge sections of Africa and countless other world places. There are examples globally of other wonder-worthy titles, yet these other ancient advances and constructs make a varied and broad set of cultural lists. Politics and idealistic perspectives shape views. Views need to be expressed. Expression is a tool of progress.

“Because it’s there.” – George Mallory, survivor of the Somme, former teacher and mountaineer

The ability to say no, or to filter our Twitter retweet opportunities is something embedded within our personal philosophy. We can each ask questions, perform reasoning and impart information and knowledge whilst taking into account values, the mind and the existence of others. Whether you aspire to be Malala standing up to the Taliban for education equality or Emily Davison jumping before a horse to raise a voice for women’s voices or Pepe Julian Onziema fighting for sexual minorities, freedom of expression will act as a tool for freedom of speech.

For further reading:

Free Speech Debate.com

Kicking this habit?

Hello! 你好! Nǐ hǎo! S’mae!

“A book is a gift you can open again and again.” – Garrison Keillor (author of The Lake Wobegon Virus)

I read a few chapters before bed. I carry a book in my pocket almost religiously. I aim to have books on my desks and near my bedside. The bookshelf I have is full to bursting despite attempts to forever re-home unwanted texts. If I can read on a walk, at lunch or between classes, I do. It has always been my way. Reading is a lifelong pleasure and habit. It helps me to feel relaxed and whenever I have felt tired, alone or under the weather, reading has been my medicine and friend.

“Literacy is a bridge from misery to hope.” – Kofi Annan (Late UN Secretary-General)

Having a to do list is seen as normal in many households. Why not create a list of texts and books to read? Mine keeps getting longer. It never reduces. That’s the joy of reading: there’s always something new to expand your horizons. I find my television and movie viewing list also remains quite lengthy. By being balanced and principled, I can reduce my screen time in favour of reading. I often use TV as a reward for completing a reading target.

“One of the greatest gifts adults can give – to their offspring and to their society – is to read to children.: – Carl Sagan (Scientist)

Pale Blue Dot: food for thought?

I recall the joy of Mum and occasionally my Dad reading to me when I was a child. Those bonds and memories never fade. As a child I listened to it as we shared a reading habit development together! Such quality time is essential for reading habits. I recall how my Mum used to log when I would start and end a book. There was a list of great books we read together, those I picked up at school and some I had read all alone. Reading can instill self-esteem.

“Reading should not be presented to children as a chore or duty.  It should be offered to them as a precious gift.” – Kate DiCamillo

The library was a weekly excursion. It was a few hours outside of the house to explore new worlds from the pages. And, on occasion, Mum would ensure I had a special trip to buy secondhand books or new books from stalls at Manchester Victoria railway station. There, I’d often find books that gripped my attention and make me want to read. Not everything read must be a masterpiece. Those books would make for a wonderful day or hour here and there. Having a day, every month set aside just for reading has become a way to slow the pace of life down and enjoy new works. Mum gave me lots of choices for reading. That’s important. What interests me may not interest you. You can recommend reading materials but giving a child a chance to pick will always work best. 

“Books are a uniquely portable magic.” – Stephen King

reading with parentsset times
always carry a bookexplore bookshops
create reading listsreduce your screen time
log ituse the library
find compelling bookschoose a quiet & pleasurable place
Ten possible steps to positive reading habits.

“We read to know we are not alone.” – C.S. Lewis

Some of my favourite places to read: the old Levenshulme Library; the domed Great Hall of the Manchester Central library; hiking towards Everest Base Camp (at various points); a really cool tree in Songshan Lake park (Dongguan, China); my apartment office; on train journeys (especially The Cambrian Coast line in Wales); a rock at the Old Man of Coniston; near an abandoned cabin in Yunnan; and my bed.

Goodbye! 再见! Zàijiàn! Ta’ra!

Reading Draft.

Dear readers,

“I have a passion for teaching kids to become readers, to become comfortable with a book, not daunted. Books shouldn’t be daunting, they should be funny, exciting and wonderful; and learning to be a reader gives a terrific advantage.” – Roald Dahl

The below is a huge draft that will be edited and chopped probably into less than 150 words, or maybe just a handful of sugar, or likely whichever earns me the most coffee cups. It all started when Miss Hannah in marketing asked me to create something for social media in relation to holiday reading. I immediately wanted to share Roald Dahl. Then, I thought about international mindedness, books with messages and genres that leave your heart tickling. Of course, there are many mainstream examples and some are quite well-known, but that’s the magic of a good book – it cannot stay shut! It fails to remain quietly shut in a dark corner of a room. Books cry out for attention. They’re living breathing monsters that grip you, hug you and leave sloppy kisses on your cheeks. So, that’s the introduction to the opener below.

“I can’t imagine a man really enjoying a book and reading it only once.” – C.S. Lewis

Do you remember the first time you opened a book and it truly grabbed your attention? Perhaps that text took you away to a whole new world. Maybe that story whisked you off on a never ending story. Certainly the protagonist had your attention. You were hooked! You find yourself nose-deep in the book, living and feeling the words! Breathing in a rollercoaster ride or feeling the love from the rows and rows of the word beneath. Importantly, age groupings are never always accurate. Students read and write at various levels of ability across age and year groups. It’s important to differentiate to an appropriate reading level. It is worth noting that opening new books may not prove too challenging, however, it can always awaken a part of a new imagination.

“There are many little ways to enlarge your child’s world. Love of books is the best of all.” – Jacqueline Kennedy Onassis

Artist’s impression. Just a concept at this stage.

Whether you’re an avid reader or a book guru, books such as The Animals of Farthing Wood (Colin Dann) can stick with you for life. Reading about characters such as Tintin and adventures such as The Lord of The Rings can shape our expectations of movies or provide us with hours of conversations amongst thinkers and friends. As we reflect in life, we’re often granted opportunities to communicate our recommendations. Here are a few books to get you going.

Emerging readers: Kindergarten & PYP levels 1-2 / grades 1-2 / UK nursery school or years 1-2 (5-7 years)

Books at this level should be packed full of sight words, colour and invention. A trio of examples shall follow. The Reverend W. Awdry wrote Thomas the Tank Engine and friends. His 26 stories were aimed at his child Christopher. It must have worked because later on, son followed father, adding a further collection to the series! Eric Carle was a colourful writer, creating a list of books as long as my arms and legs (which are very long indeed). The Very Hungry Caterpillar is an iconic place to start reading his works: “One sunny Sunday, the caterpillar was hatched out of a tiny egg. He was very hungry.” Janet and Allan Ahlberg are no strangers to children’s fiction. This married couple worked together for over two decades. Funny Bones, Mr Biff the Boxer, and Kicking a Ball.

“Oh, magic hour, when a child first knows she can read printed words!” – Betty Smith

At these ages students are now working out how to segment words using phonics and recognising an increasing number of sight words. They’re differentiating homonyms whilst learning to love books. Read daily and often with your kids now and they should develop at their fastest! To that mind look up the following books: All Join In (Quentin Blake – one of the greatest and most distinctive illustrators of all time); Peace at Last (Jill Murphy); The Runaway Wok (Ying Chang Compestine); Mr Wolf’s Pancakes (Jan Fearnley); Owl Babies (Martin Waddell & Patrick Benson); Suddenly (Colin McNaughton); Grumpy Frog (Ed Vere); Oi Frog! (Kes Gray & Jim Field); The Squirrels Who Squabbled (Rachel Bright & Jim Field); Flotsam (David Wiesner); Guess How Much I Love You? (Sam McBratney); Slow Loris (Alexis Deacon); I Want My Potty! (Tony Ross); Dear Zoo (Rod Campbell); Meg and Mog (Helen Nichol and Jan Pienkowski) and so many more… (further inspiration can be sourced here).


PYP 3-5 / grade 3-5 / UK years 3-5 (7-9 years)

Flat Stanley, penned by Jeff Brown, tells the story of a boy squashed by a bulletin board. His newfound flatness allows him to slip under doors like a piece of mail. He can even fly like a kite! This story series has been around for more than fifty years. The authors six original stories have inspired a catalogue of stories by other authors. There is also the Flat Stanley Project which brings together an awful lot of people around the world. Jackie Chan approves of it.

“Never trust anyone who has not brought a book with them.” – Lemony Snicket

Anything from the collections of Dr Seuss, A.A. Milne (Winnie the Pooh), Astrid Lindgren (Pippi Longstocking) and Roald Dahl should capture attention at this age. René Goscinny and Albert Uderzo‘s Asterix the Gaul series can open up new frames as to how a story can appear. I would recommend this following group too. The Nothing to See Here Hotel (Steven Butler); The Bee is not Afraid of Me (Fran Long & Isabel Galleymore); King Kong (Anthony Browne); Dilly the Dinosaur (Tony Bradman); The Diary of a Cat Killer (Anne Fine); Mrs Cockle’s Cat (Philippa Pearce); The Owl Who Was Afraid of the Dark (Jill Tomlinson); Where The Wild Things Are (Maurice Sendak); Mr Majeika (Humphrey Carpenter); How to Train Your Dragon (Cressida Cowell); The Sheep-Pig (Dick King Smith’s book was made into the movie Babe); Charlotte’s Web (E.B. White); The Iron Man (Ted Hughes) Cliffhanger (Jaqueline Wilson); Peter in Peril (Helen Bate); Coming to England (Floella Benjamin) and other great books for PYP3, PYP4 and PYP5.

Not quite a good artist’s impression. Just another concept at this stage.

“The more that you read, the more things you will know. The more that you learn, the more places you’ll go.” – Dr. Seuss


MYP 1/2 / grades 6-7 / UK years 5-6 (9-11 years)

“The reading of all good books is like conversation with the finest (people) of the past centuries.” – Descartes

After developing imagination and experiencing adventure, books tend to favour realistic fiction and serious topics for older students. At this age, books open doors into many new worlds and offer insights into many other cultures. Encyclopedia-style texts lure in the curious and student inquirers. Hard-hitting and dark stories sit between classics and familiar friends of the literature world. Look up: The Boy At the Back of The Class (Onjali Rauf); Illegal (Eoin Colfer – think Artemis Fowl); Abomination (Robert Swindells); The Hobbit (J.R.R. Tolkien); What Katy Did (Susan Coolidge); The Chronicles of Narnia (C.S. Lewis); The Borrowers (Mary Norton); Silverfin (Charlie Higson’s young James Bond series) and so on.

“So please, oh please, we beg, we pray, go throw your TV set away, and in its place, you can install a lovely bookshelf on the wall.” – Roald Dahl

Yet another idea. It isn’t official.

MYP 3/4 / grades 8-9 / UK years 7-8 (11-13 years)

“I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.” – Groucho Marx

Recently the language and literature class tackled Bridge to Terabithia by China-born Katherine Paterson. This novel became a Disney-adaptation. Few students favoured the movie over the book. Books have often been adapted for the silver screen, the television or the stage. A great checklist to read and then watch can include the following: Madame Doubtfire (Anne Fine); The Outsiders (S.E. Hinton); The Curious Incident of the Dog in the Night-time (Mark Haddon); The Day of the Triffids (John Wyndham); The Hound of the Baskervilles (Arthur Conan Doyle’s Sherlock Holmes); The Plague Dogs (Richard Adams); The Woman in Black (Susan Hill); Watership Down (Richard Adams); and The Giver (Lois Lowry).

“Reading is essential for those who seek to rise above the ordinary.” – Jim Rohn


MYP 5/DP / grades 10+ / UK years 9+ (13+ years)

“A reader lives a thousand lives before he dies . . . The man who never reads lives only one.” – George R.R. Martin

At this age level, the vocabulary is expanding with new words dropping down like rain. Students are better armed to scaffold and learn these familiar unfamiliar phrases and terms. Using their decoding techniques they can swiftly move through lengthy text. The classic The Time Machine by H.G. Wells, Khaled Hosseini’s The Kite Runner and Maus by Art Spiegelman are fine examples of texts that would sit well on a student’s bookshelf. Students who watch movies such as Dune and Jurassic Park, should at this point, now be lifting the text that inspired these movies. The respected authors Frank Herbert and Michael Crichton have sizable and diverse reading catalogues suitable for those who claim to be knowledgeable. Writers and readers alike should explore diverse texts, such as: This Book is Cruelty Free (Linda Newbery); Atonement (Ian McEwan); Long Walk to Freedom (Nelson Mandela); Touching My Father’s Soul (Jamling Tenzing Norgay). I would also thoroughly recommend Paddy Clarke Ha, Ha, Ha by Roddy Doyle and William Golding’s Lord of The Flies because by now a rounded reader is a communicator of text. Just ask the students of language and literature at TWIS. Further reading suggestions can be found here and there.

“You can never get a cup of tea large enough or a book long enough to suit me.” – C.S. Lewis

The last idea? Not at all. However, it is crude and simple.

Tired of heavy paper books? Do your children favour electronic devices? Try a popular e-reader like Kindle or Kobo. They may be devices that are limited, but that’s the beauty of it. Why worry about bad eyesight or distractions? There are stacks of available titles, some free and many can be read from .PDF documents. Many are portable. The anti-glare screens and lack of blue light make most devices unobtrusive to eyesight. Some even have onboard dictionary features.

Consult your librarian or find a suitable booklist, then check off or list how many books you have read! Be principled!

Many of us are traditional and favour paper because of the smells and textures, as well as the tangible aspect. We like to touch things. Make sure the next thing your son or daughter touches is one that reaches back and captures their heart. On top of that, books exercise brains, and to quote Roald Dahl, “If you are going to get anywhere in life you have to read a lot of books.” There you have it. Read it. Read it all. Read everything! I read everything. I read every little thing. That’s not true. I wish I did. I’m still working on it.

Thank you kindly for your time and reading.

Mr John

Giving whisterpoop.

How do! 你好!

Whisterpoop. Verb. A small smack to the upside of the head.

How much giving did you give this last year? Did you your all? I gave as much as I could but I still feel that there’s more to give. Give or take. This year though, I feel it is harder and harder to hit my next gear, let alone my top gear! Extra energy and motivation are needed.

A student, Chael, asked me if I was leaving TWIS (Tungwah International School) in summer. Even if I was, I could not answer it clearly. It was a little shocking. As my language and literature students tucked into pizza, viewed Jurassic Park and finalised their presentations, I questioned Chael on where his question came from. He said that he read it on my blog. I told him, truthfully, that I will visit family and friends in summer – but returning to China, at the minute, is close to impossible due to the costs. Hopefully things will change to allow people to return to China from the U.K. Still, it is pleasing to know that students don’t want you to leave.

Dopamine, serotonin and oxytocin are neuropharmacological substances that we release. This trifecta dose produced happiness. The brace of Lauren’s pizzas and snacks accompanying class were short-lasting blasts of happiness after a hard week, with online curriculum in action video audiences (as parents) and other bits and bobs, adding to a tiresome environment, swamped by local COVID-19 outbreak worries and demands. Other ways to produce the trio of neuropharmacology releases include holding a door open, giving a gift to a friend or volunteering. Giving time to others or a cause is so often underrated.

I am receiving the radio show Wordaholics from the year 2012 via BBC Sounds. The distinctive and linguistic voice of writer Gyles Brandreth has been on TV and radio for years and I long hope he continues. We all need a veteran to learn from! As I study classroom management skills to try to get those pesky grade 7 and 6 students into better order, I find the sound of radio quite relaxing. That and some select poetry between the reading. Beats thinking about the next COVID-19 test!

March 2020: arrival in China at Guangzhou International Airport3 [nose (both nostrils & throat)]risk or reason
March 2020: Xihu, Dongguan, quarantine6 (on arrival, day 1, day 3, day 7, day 10, day 14)COVID-19 pandemic
March 2020: arrival to Changping, Dongguan1relocation to community
The times between April 2020-May 2021:4 (21st December; 5th & 8th April; 25th May;)collect passport in GZ; visit SZ
June 2021:4 (21st; 20th; 9th; 7th)regional outbreak/travel
July 2021:1 (13th @Zhangye station)travel: Shaanxi; Shanxi; Ningxia; Gansu; Yunnan.
August 2021:2 (5th; 3rd;)return to school
September 2021:1 (27th;)
October 2021:
November 2021:1 (11th;)admitted to hospital/unrelated to pandemic
December 2021:4 (7th; 12th; 18th; 25th)
January 2022:2 (17th; 4th)
February 2022:2 (28th>; 26th*; 25th>)
March 2022:4 (8th>; 9th>; 11th>; 12th*; 13th>; 14th>;)outbreaks in Dalang, Changping & Humen, Songshan areas of Dongguan
TOTAL TESTS35 tests
NAT Tests log – to date [* gardens/> at school]

Which is better? Giving, or receiving? In the case of having the NAT (Nucleic Acid Test), I can’t imagine shoving the swab into thousands of people a day to be any good. It certainly is no fun to receive. One test this week caused some light bleeding to my throat. I didn’t have a sore throat before, but afterwards for two days, I had a tender throat. Bloody COVID-19!

Thank you kindly! Ta’ra! 谢谢你。再见。

The End of Time.

Hello! How do! 你好~

The notion of time need to go. That’s how author Paulo Coelho answered Laura Sheahan for a Beliefnet.com interview. Everything is eternal and there is no time. He said that “time is another of these things that help us go through life”. Professor Stephen Hawking would have been proud. This was the closest I’d got to understanding anything written by the great professor, and it wasn’t through deep science.

Instead the vessel of discovering enlightenment came through a multifaceted faith-crossover text, The Alchemist. Since Qiezi (茄子) gifted me this novel, I’ve had to read it twice. Time on a hospital bed granted me a third visit to the pages. Actually, visiting this book again was like embracing an old friend. A welcome return to the familiar. And like all good friends, there’s always something new to encounter together.

Whoever is the Fatima of my Personal Legend and wherever the pyramids are that I seek, perhaps today in this hospital I’m encountering my own crystal glass shop. The cliche-heavy book is relatable in many senses and my biggest take home is change. We must always adapt and accept that very few things remain constant. If one day you can’t breathe easily, then the next you may improve (or not).

The simplicity of the book, through protagonist Santiago, tells a sweet take about keeping faith and discovering your destiny, despite the challenges set before you. Now Santiago’s visions set him on a journey that teaches more and gives plenty whilst indulging you and I as a reader in the do more, see more, be more mantra of life. If it was a Coldplay song it’d be about opening up your eyes.

The short read delves deep into fate and manifestations with a strong sense that the universe is pushing your path in front of you. Rich in symbolism, folklore and spirituality, Paulo Coelho has made me want to explore every other text he’s written since the Brazilian started publishing in 1974 (in his late twenties). His Portuguese books have spread globally and been aided by translation. Popularity has been earned. Now, which students can I put the Chinese and English editions into their hands? I’ve been gifted these words. It’s time to share this world.

Goodbye. Ta’ra! 再见~

Lately.

Good evening 晚上好 / 你好 Hello!

Lately it has been a manic period of hustle and bustle at Tungwah Wenzel International School (TWIS). Also, in my free time, I’ve been heavily hard at work procrastinating and doing the things I enjoy doing, whenever I feel they’re necessary. Whoever said a lack of responsibility was easy, lied. Cappuccino has been close to hand. Almost as luxury as the pair of Ravemen CR900 cycling lights. An upgrade from the N900 models. Remote controls and battery level monitors were too tempting.

The Diploma Programme team have been working solidly under great leadership. The application and candidate status has become approved. Not bad for a school without any current high school students! Now we’re gunning, pedal to the metal, for the completion of MYP’s International Bachelorette status.

The uncertainty of when travel to the U.K. hangs over my head like a Titanic-sized Goliath of scrapped metal. At times it feels like it may drop and make my noggin more squishy than nature intended. At other times, the optimism factory is producing positive vibes and sending them out in Olympic-sized swimming pool proportions. With every passing news article, input by experts, advice of Olympians going to Beijing 2022 and chilling in quarantine for twenty-one days prior to the Winter Olympics. Nothing is certain.

For two of our Language and Literature class groups, students selected Lord of The Flies and It’s Kind of a Funny Story. Exams have been prepared for the former and the latter shall be assessed by essay. In the meantime, the second units are in full preparation. As are units three to five. The school year map is freshly under way. And that’s before looking at Science classes with grades 6 to 8. Hopefully the weather will drop below thirty degrees Celsius to allow some extra evening preparation motivation.

I recently caught up with Shenzhen Blues, Katherine and Stephen in Shenzhen. A fantastic Turkish meal at Mevlana (#154 Zhenxing Road, Huaqiangbei, Futian) with a witty Pakistani waitress made for a fun afternoon. Shenzhen is a city with great food and a fantastic place to recover after hiking. And matter about City’s impressive draw at Anfield.

The relentless and ferocious Guangdong heat has tested my mind and body, and ruined my balcony garden. The grape vines perished in the inexorable sunlight and the numerous passion fruit plants became single digits. The uncompromising sunshine has dried my daisies and ruthlessly culled my apparently less than shaded herb garden. The harsh weather has seldom given way to rain, typhoons or monsoons this summer. It’s dogged single-minded unyielding approach to the environment has been cooking and drying for too long. Today hit 34 degrees Celsius and that was a cool part of this last week!

Goodbye 再见

The Finale (Act I)

Parent page: IB Learner Profile

English A: Language and literature (Cat.1): Module Four – Individual Oral Assessment

IB Course Creator Tim Pruzinsky started his introduction video by saying this final module would be unique and no easy task. Armed with a floppy left arm (following my second installment of the COVID-19 jab yesterday) and a nausea (last weekend’s sickness has caused my appetite since to be largely under the requirements of a half-giant), I set on my studies. To baldly go… (shiny-headed pun intended)

Utterly the Higher Level!

Parent page: IB Learner Profile

Bill Watterson’s Calvin and Hobbes

English A: Language and literature (Cat.1): Module Three – Assessing the Higher Level Essay

What is a 4? What is a 5? The line between the two is foggy and at times completely a blur. So, here, I use the benefit of the doubt. My reasoning is simple. The overall piece was well written, clearly thought of in detail and delivered in an informative way. I still had some question. So, I went looking. I found that Calvin and Hobbes ran from 18/11/1985 to 31/12/1995 as a daily comic strip in the U.S.A. and across the world. I’ve certainly never stumbled on this strip, despite it landing in over 2400 newspapers! Humour, satire, politics, and family life mix well with philosophy and judging by the Wikipedia write-up, a dozen of so academics have touched on it too.

CriterionExaminer marksExaminer reasoning
AUnderstanding & Interpretation5/5Broad understanding of Calvin & Hobbes.
Strong appearance and understanding.
Clear persuasive interpretation.
Some focus on satire shows deeper interpretation.
Implications of text explained well bit could have had more detail.
Demonstrates a passion for the text.
Reference use is strong.
Portrays the comic’s intent and purpose well.
Line of inquiry allows for development &/or relevant/focus.
Some openness of interpretation may be conveyed from the chosen language features of the student’s works.
Who, when, what and how answered. The why is a little under-supported.
BAnalysis & Evaluation4/5Graphic aspects needed a little further contextual depth.
Would have benefitted from more language analysis.
Consistent flow with convincing analysis.
Insightful analysis of the text.
Is the reader intended to be active or an observer?
Clear that: Language + style + technique = meaning.
Evaluation of author’s choice clear & concise.
Further development of points possible.
Accurate use of technical terminology.
CFocus & Organization4/5Organised/cohesive, but a little complex.
Integrated example usage.
Adequate development of a line of inquiry.
Paragraphs clear and linear, however some back and forth to the appendix is needed.
DLanguage5/5Clear and well-chosen.
Appropriate register (effective/concise).
Vocabulary strong and supportive. Literary terms deployed.
Grammar usage largely accurate. Some sentence structure errors.
Total18/20

English A: Language and literature (Cat.1): Module Three – Added Extras (Extended Essay)

Firstly, the score weighting is different to previously marked papers, so it allows for flexibility in awarding a final mark. Deciding between a score from four or five is tougher than that of one from six or twelve. An in depth extended essay offers more chance to digest and deconstruct before reviewing and offering feedback. Overall, it is much more demanding. However, for candidate and examiner the process is more exacting and testing. It isn’t a short time task! A cup of steaming cappuccino was required!

CriterionExaminer marksExaminer reasoning
AFocus & Method (a reader should see the beginning to the end)5/6Effective speech chosen.
Culture/context/target language show connection.
In depth analysis versus that of a broader range of speeches.
Good usage of secondary sources as way of support.
Displays good intelligence.
BKnowledge & Understanding (a reader should be informed)5/6Social/political understanding of the speech fully demonstrated.
Subject-specific terminology deployed.
Primary and secondary sources support context.
No digression.
Public opinions over-generalised?
CCritical Thinking (a reader should see thoughts)9/12Research, analysis and evaluation evident and of a high value.
Exploration of the speech could have been furthered more accordingly (to gain full marks).
Concentrating their interpretation would be of more benefit to the writer.
DPresentation (a reader needs it to be clear)3/4Clear.
Some over-general citation use.
EEngagement (a reader should be engaged)5/6Initial topic starts and is abandoned.
Further two topics engage deeply.
Candidate’s voice lacks full bite.
Total27/34

English A: Language and literature (Cat.1): Module Three – Reflection

How can you use the assessment components, the learner portfolio, and more, to help achieve the IB mission?

Papers one and two offer opportunities for student encouragement and development. Each offers skillsets for life. The IB learner profiles can be explored and reinforced. The issues of identity, culture, class, environment and representation, amongst other matters can be explored through non-literary and literary study. Literature is a rich vein for exploration. It offers voices and opportunity to use effectively the approaches to learning skills. Drawing a connection beyond the non-literary and literary gives rise to language exposure and expansion.

Through paper one students can explore global issues across a broad range and bring them to the classroom for debate. Global thinking inquiring minds can be founded within the realm of paper one.

Paper two has a traditional feel to deliver in a form of written communication. That. construct must include balanced analysis, evaluation and be organised in a way that shows complete organisation through good time management and and thorough language use.

Quis custodiet ipsos custodes

Parent page: IB Learner Profile

Who watches the Watchmen?

English A: Language and literature (Cat.1): Module Three – Reviewing Examiner Marked Papers

Part One

CriterionExaminer marksExaminer reasoning
AUnderstanding & Interpretation4/5Demonstrates full literal understanding.
Insightful interpretation.
Fully supported/referenced to text.
BAnalysis & Evaluation5/5Convinced analysis of textual/visual features.
Supports how features/choices shape meaning.
Effective use of website provision.
CFocus & Organization5/5Coherent organisation of analysis.
Growth shown from writing’s beginning to end.
Conclusion is strong.
Supports itself.
DLanguage4/5Clear/carefully selected language.
Adequate register/style.
Accuracy in vocabulary, grammar and structure.
Ideas expressed clearly enough, but could benefit from more oomph.
Some grammatical endings likely prevented full marks.

Part Two

CriterionExaminer marksExaminer reasoning
AUnderstanding & Interpretation4/5Demonstrates full understanding of literal text, when combined with visual text elements.
Individual aspects highlighted.
BAnalysis & Evaluation5/5Conveys meaning & evaluation of features.
Highlights choice of word use; drawing details; story development; character choice.
CFocus & Organization5/5No focus on the story’s moral.
Paragraphing very clear.
DLanguage4/5Appropriate use of terminology for graphic novel/comic strip formats.
Notes inconsistencies.
Some tough misuse of punctuation. Tenses/clauses incorrectly used.

Quis custodiet ipsos custodes – Latin for: “Who will guard the guards against themselves?”